Improve Your Thumb Technique
Wouldn't it be great if Nature had designed our hands with the fingers in reverse order? If the "strong" thumb were on the outside of the hand and the "weak" pinky on…
Wouldn't it be great if Nature had designed our hands with the fingers in reverse order? If the "strong" thumb were on the outside of the hand and the "weak" pinky on…
I’ve recently run a survey to find out what repertoire you would like to see me feature in blog articles, annotated study editions and in the Online Academy which I’m…
The other day I was practising Chopin's 3rd Scherzo, a piece I have played regularly over the years. Because I haven't touched it in a while, I found it needed…
The C major Prelude from Bach’s Prelude and Fugue in C (Book 1 of the WTC) is very familiar to us all. This beautiful progression of harmony in broken chord texture continues to inspire generations of keyboard players.
When it comes to fingerings, it helps to understand the principles behind certain fingering patterns we find in our scores, rather than just merely playing what we see. In this…
This week's post is a guest post by Frances Wilson - pianist, piano teacher, concert reviewer and blogger as The Cross-Eyed Pianist. Frances asks the pertinent question - why take a…
At the core of my practice tools are what I call The Three S's - or Slowly, Separately, Sections. They refer to nitty-gritty practising, the sort of thing we do not…
It is with great pleasure that I announce the publication of a new series from Trinity College London for which I have written the teaching notes, called Raise the Bar. In the…
I’m a great believer in practising fugues one voice at a time, and then in all possible combinations of voices before putting the fugue together. This is valuable not only in…
Solving a problem at the piano may have nothing whatever to do with technique in the mechanical sense. To attempt to solve it by analysing physical movements, hand and arm positions and…