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Home2016Page 3
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2016

Improve Your Thumb Technique

Improve Your Thumb Technique

By Graham Fitch, 2016-06-16
Posted in: Technique

Wouldn't it be great if Nature had designed our hands with the fingers in reverse order? If the "strong" thumb were on the outside of the hand and the "weak" pinky on…

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Tags: pianist magazinerachmaninov prelude in c sharp minorRachmaninov Prelude in G minor op. 23 no. 5Thomas MarkThomas Mark What Every Pianist Needs to Know about the BodyWhat Every Pianist Needs to Know about the Body
Improve Your Thumb Technique
On Pedalling, Slow Practice and Practical Theory

On Pedalling, Slow Practice and Practical Theory

By Ryan Morison, 2016-06-09
Posted in: Pedalling, Practising

I’ve recently run a survey to find out what repertoire you would like to see me feature in blog articles, annotated study editions and in the Online Academy which I’m…

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Tags: pedallingslow practice
On Pedalling, Slow Practice and Practical Theory
Securing a Fast Passage

Securing a Fast Passage

By Graham Fitch, 2016-06-02
Posted in: Practising

The other day I was practising Chopin's 3rd Scherzo, a piece I have played regularly over the years. Because I haven't touched it in a while, I found it needed…

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Tags: artur rubinsteinChopin Scherzo no 3 in C sharp minor
Securing a Fast Passage
Rediscovering Bach’s Prelude in C

Rediscovering Bach’s Prelude in C

By Graham Fitch, 2016-05-26
Posted in: General tips, Inspiration

The C major Prelude from Bach’s Prelude and Fugue in C (Book 1 of the WTC) is very familiar to us all. This beautiful progression of harmony in broken chord texture continues to inspire generations of keyboard players.

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Tags: andras schiffFerruccio Busonigounodjs bachpreludeThe Well-Tempered Clavier
Rediscovering Bach’s Prelude in C
Nimble Chromatics

Nimble Chromatics

By Graham Fitch, 2016-05-05
Posted in: Technique

When it comes to fingerings, it helps to understand the principles behind certain fingering patterns we find in our scores, rather than just merely playing what we see. In this…

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Tags: beethovenChopinchromatic minor thirdschromatic scaleetudeFur Elisemarc-andre hamelinPathetique Sonata
Nimble Chromatics
Guest Post: Why Take a Performance Diploma?

Guest Post: Why Take a Performance Diploma?

By Graham Fitch, 2016-04-28
Posted in: Performing

This week's post is a guest post by Frances Wilson - pianist, piano teacher, concert reviewer and blogger as The Cross-Eyed Pianist. Frances asks the pertinent question - why take a…

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Guest Post: Why Take a Performance Diploma?
Applying the Stepladder Approach

Applying the Stepladder Approach

By Graham Fitch, 2016-04-14
Posted in: Practising

At the core of my practice tools are what I call The Three S's - or Slowly, Separately, Sections. They refer to nitty-gritty practising, the sort of thing we do not…

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Tags: beethovenChopinjs bachnocturnePathetique SonatapreludeThe Well-Tempered ClavierTrinity College London
Applying the Stepladder Approach
Raise the Bar Competition

Raise the Bar Competition

By Graham Fitch, 2016-04-07
Posted in: Blog

It is with great pleasure that I announce the publication of a new series from Trinity College London for which I have written the teaching notes, called Raise the Bar. In the…

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Tags: Raise the BarTrinity College London
Raise the Bar Competition
The Practice Stepladder

The Practice Stepladder

By Graham Fitch, 2016-03-30
Posted in: Practising

I’m a great believer in practising fugues one voice at a time, and then in all possible combinations of voices before putting the fugue together. This is valuable not only in…

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The Practice Stepladder
The Metronome: Friend or Foe?

The Metronome: Friend or Foe?

By Graham Fitch, 2016-03-10
Posted in: Rhythm

Solving a problem at the piano may have nothing whatever to do with technique in the mechanical sense. To attempt to solve it by analysing physical movements, hand and arm positions and…

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Tags: Georges CziffraMendelssohn Andante and Rondo Capriccioso op. 14
The Metronome: Friend or Foe?
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