• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeGeneral tipsAt the Noodle Bar: Practice Tips for a Chord Stream

At the Noodle Bar: Practice Tips for a Chord Stream

By Graham Fitch, 2018-02-22 Posted in: General tips

I have just featured the hauntingly beautiful B minor Intermezzo of Brahms (from the op 119 set) in a series of video demonstrations for Trinity College London on their new piano syllabus. This work appears in the Grade 8 list and will pose some challenges to the candidates who choose to master it, mostly to do with finding the right sound.

It’s the change of texture in the second section in D major that I am interested in today (at the end of the first system after the double bar). I am struck by how Brahms lays out the RH chords by first presenting the middle notes, tying them over and then adding the outer notes. Apart from supplying rhythmic flow this way of breaking the chords encourages us not to voice too brightly to the top but to find a chocolatey warmth and richness for our sound from the middle notes.

Staggering the chord layout is of course a great way to practise any chord stream. Practising chords from the inside out and from the outside in helps us achieve superlative tonal and technical control. I have been doing this for years and my students find it works wonders for them. I have chosen just one short example to take to the noodle bar today, a tricky LH chord stream from the Ravel Sonatine (bars 54 and 55).

Online Academy’s Study Edition

I have published a study edition of Ravel’s Sonatine, available through the Online Academy. It features video clips demonstrating various features of the work, together with footnotes, video walkthroughs and score examples with exercises. I hope you will it a valuable resource as you practise this piece.

For details, follow this link

***   ***   ***

The Practising the Piano Online Academy

If you enjoyed this blog post then you may be interested in The Practising the Piano Online Academy. Building on my blog posts and eBook series, it takes my work to the next level with a comprehensive library of lessons, masterclasses and resources combined with insights from other leading experts. Aimed at piano teachers and pianists, it will transform the way you approach playing or teaching the piano!

A number of articles are available free of charge in addition to the following subscription options:

  • Monthly subscription – Subscribe for £13.99 a month to get full, unlimited access to all Online Academy articles and updates (click here to sign-up for this option)
  • Annual subscription – Save on the monthly subscription with an annual subscription for £119.99 per year and get free eBooks and editions worth over £70! (click here to sign-up for this option)

Click here to find out more about the Online Academy or click here to visit the site, view free content and to subscribe.

Tags: Brahms Intermezzo in B minorop 119 no 1Ravel Sonatine

Related Posts

How to Manage Repetition in Practice

How to Manage Repetition in Practice

By Graham Fitch, 2018-08-16
Posted in: Practising

First published in June, 2017, this post addresses the issue of how many times we repeat a passage, and what should be going through our head as we do so. This is something that applies to all pianists, no matter the age or level. ***   ***   *** Recently…

Read More

Tags: feedback loopRavelRavel Sonatine
How to Manage Repetition in Practice
Mozart, Mendelssohn, Grieg and Ravel!

Mozart, Mendelssohn, Grieg and Ravel!

By Informance, 2021-05-27
Posted in: Practising

In this month’s practice clinic Graham Fitch answered questions on coordinating the hands, using wrist rotation, trills and other topics in works by Mozart, Mendelssohn, Grieg and Ravel.

Read More

Tags: GriegLullyMendelssohnMozartMozart Sonata in A minor K310practice clinicRavelRavel Sonatine
Mozart, Mendelssohn, Grieg and Ravel!
On Editions

On Editions

By Graham Fitch, 2016-11-10
Posted in: General

When we learn a piece of music from a score, it is important to be able to distinguish those markings that are from the pen of the composer, and those that have been added by an editor. There are two main types of edition available to us - Urtext (the composer's original intentions…

Read More

Tags: alfred cortotartur schnabelCarl CzernyClaudio ArrauHarold BauerHarold CraxtonHenle UrtextRavel SonatineSchirmer EditionWalter Cosand
On Editions
Some Thoughts on Five-Finger Exercises: Variations on a Theme by Hanon

Some Thoughts on Five-Finger Exercises: Variations on a Theme by Hanon

By Graham Fitch, 2012-09-19
Posted in: General tips, Practising

Almost every book of piano exercises has a chapter dealing with five-finger exercises, and a lot of pianists won't feel warmed up and ready to face their practice session without having spent some time doing these. I have several colleagues who are at the height of the profession who swear…

Read More

Tags: fingersfive-finger exercisesHanoninversionpeter feuchtwangerrhythm
2 Comments
Some Thoughts on Five-Finger Exercises: Variations on a Theme by Hanon
Taking Ownership

Taking Ownership

By Graham Fitch, 2011-10-15
Posted in: General tips, Performing

Some years ago, Dame Fanny Waterman gave a masterclass for the BBC (Beethoven Sonata, op. 2 no. 2 , I think it was) and had made some suggestions to the student who then proceeded to play it back, respectfully verbatim. Dame Fanny likened this to loaning the student a dress for…

Read More

Tags: analysisbeethovenChopinDame Fanny WatermanexpressioninterpretationJorge BoletMozart Turkish RondoPeter KivyRachmaninovShura Cherkasskytheory
Taking Ownership
Q&A: How Can We Use Rotation in a Scale?

Q&A: How Can We Use Rotation in a Scale?

By Graham Fitch, 2014-05-23
Posted in: General tips

Q. You speak about forearm rotation in your eBook and in your YouTube video on scales and arpeggios, but I think of rotation as a large movement for things like tremolos and trills. Can you explain how to use it in scales? A. Great question, I’m very glad you have…

Read More

Tags: arpeggiosbeethovenDorothy Taubmanforearmforearm rotationJulian Martinjumpsrotary motionrotationscalessonatastrengthtension
Q&A: How Can We Use Rotation in a Scale?

Previous Post

The Girl with the Flaxen Hair

Next Post

Learning Away from the Piano

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs