• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeBlogBach, Byrd and Maintaining Focus

Bach, Byrd and Maintaining Focus

By Informance, 2022-07-14 Posted in: Blog

In this month’s Practice Clinic, Graham Fitch answers questions on maintaining focus and concentration when practising, fingering and fatigue in a Chopin Nocturne and discusses pedalling, articulation and dynamics in works by Bach and Byrd.

Bach Byrd Chopin and Maintaining focus

Practice clinic questions

Chopin Nocturne in B-Flat Minor, Op. 9 No. 1 – I am having difficulty playing it smoothly from just the middle of bar 59, for several bars where this left hand is repeated. If I use the fingering recommended, which is 4 2 1 2 4 5 my hand really aches after that. [Please note that a short extract of this work is currently muted in the recording due to an automated copyright dispute on Facebook and will be replaced shortly]

JS Bach Prelude and Fugue in B-Flat Major (WTC Book 1) – I am planning to learn this work for my Grade 8 exam. I am already struggling with the repeated Fs in bar 11, etc, I trip over this spot all the time. I would appreciate advice on how to overcome this problem, and any thoughts you might have on articulation and dynamics in general.

William Byrd Pavan: The Earle of Salisbury – I’m wondering if it is OK to use pedal to help manage the legato. How would you recommend pedalling or should I leave it out?

Maintaining focus and concentration when practising – I have a general question about practising. I find my mind wanders all the time when I sit at the piano. It’s a bit like being in some  sort of  dream. When I “awaken”, which might be in the middle of a phrase, or when I’ve got to the end of something, I find I haven’t been concentrating on the music. Your suggestions on how I can improve this would be most welcome!

Next practice clinic

We will be taking a short break over the summer and will be resuming our monthly practice clinics in September! Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: bachbyrdChopinFuguenocturnepractice clinic

Related Posts

The Practice Sleuths Episode #2

The Practice Sleuths Episode #2

By Informance, 2025-02-27
Posted in: Practising

Our Practice Sleuths Graham Fitch and Adina Mornell tackle the age-old debate of slow vs fast practice and how both approaches can be used to unlock your full potential!

Read More

Tags: building speedChopinfast practicefingeringpractice sleuthsslow practice
The Practice Sleuths Episode #2
Making the Well-Known Our Own

Making the Well-Known Our Own

By Informance, 2018-06-11
Posted in: From the Ground Up, Inspiration

This week’s guest blog post features an article on how to approach interpretation of well-known works by Ken Johansen, author of the From the Ground Up series. In this post, Ken shares his thoughts on preparing a new edition for his series featuring Chopin’s Nocturne in E-flat, Op. 9, no. 2 (please see further…

Read More

Tags: ChopinChopin Nocturne in E flat op 9 no 2From the Ground Upinterpretationlearning a piece
Making the Well-Known Our Own
On Passagework

On Passagework

By Graham Fitch, 2011-11-27
Posted in: Practising

There are innumerable examples in the piano repertoire of what is commonly known as "passagework", a string of fast notes that lasts either a few bars, a whole section, or an entire piece. The function of this passagework may be decoratively melodic (rather like the singer's coloratura), but is most…

Read More

Tags: accentadele marcusChopineffortfingersinjurymaria curciopassageworkpiano pedagogypracticing the pianopractising the pianorhythmteachingtempotension
On Passagework
Bespoke Fingerings

Bespoke Fingerings

By Graham Fitch, 2014-12-07
Posted in: Blog

In my student days I learned a Scriabin sonata using a library score. Quite why I did it this way I don't remember (because I was actively building up my music library at that stage), but I borrowed the score from MSM library and used it as my working copy.…

Read More

Tags: CPE BachHans-Martin TheopoldHenle VerlagJon VerbalisManhattan School of MusicPenelope Roskellpiano fingeringsRami Bar-Nivtobias matthayWalther LampeWillard Palmer
Bespoke Fingerings
Visualisation for Performance Anxiety

Visualisation for Performance Anxiety

By Graham Fitch, 2015-02-20
Posted in: Blog

How often have we heard it said after a performance that didn’t quite hit the mark: “But I can play it perfectly well at home”? When we play for ourselves in the comfort of our home space or in an institutional practice room, there is nobody there to witness our…

Read More

Tags: george kochevitskyMartin Lotze Kinesthetic Imagery of Musical Performanceperformance anxiety among pianists
Visualisation for Performance Anxiety
Be Your Own Teacher

Be Your Own Teacher

By Graham Fitch, 2018-02-08
Posted in: Blog

If you are a piano student taking regular lessons do you expect your teacher to do all the work, or do you take some initiative to solve problems yourself and to make your playing sound as good as you can? You will really accelerate your progress if you can get…

Read More

Tags: Casio Grand HybridMozart Minuet in DPetzold G major MinuetSchumann Des Abends
Be Your Own Teacher

Previous Post

The 2023 & 2024 ABRSM Syllabus

Next Post

Top Ten Tips for Amateur Pianists

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs