• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
  • About Us
    • Help & Support
    • Contact us
HomeBlogBach, Byrd and Maintaining Focus

Bach, Byrd and Maintaining Focus

By Informance, 2022-07-14 Posted in: Blog

In this month’s Practice Clinic, Graham Fitch answers questions on maintaining focus and concentration when practising, fingering and fatigue in a Chopin Nocturne and discusses pedalling, articulation and dynamics in works by Bach and Byrd.

Bach Byrd Chopin and Maintaining focus

Practice clinic questions

Chopin Nocturne in B-Flat Minor, Op. 9 No. 1 – I am having difficulty playing it smoothly from just the middle of bar 59, for several bars where this left hand is repeated. If I use the fingering recommended, which is 4 2 1 2 4 5 my hand really aches after that. [Please note that a short extract of this work is currently muted in the recording due to an automated copyright dispute on Facebook and will be replaced shortly]

JS Bach Prelude and Fugue in B-Flat Major (WTC Book 1) – I am planning to learn this work for my Grade 8 exam. I am already struggling with the repeated Fs in bar 11, etc, I trip over this spot all the time. I would appreciate advice on how to overcome this problem, and any thoughts you might have on articulation and dynamics in general.

William Byrd Pavan: The Earle of Salisbury – I’m wondering if it is OK to use pedal to help manage the legato. How would you recommend pedalling or should I leave it out?

Maintaining focus and concentration when practising – I have a general question about practising. I find my mind wanders all the time when I sit at the piano. It’s a bit like being in some  sort of  dream. When I “awaken”, which might be in the middle of a phrase, or when I’ve got to the end of something, I find I haven’t been concentrating on the music. Your suggestions on how I can improve this would be most welcome!

Next practice clinic

We will be taking a short break over the summer and will be resuming our monthly practice clinics in September! Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: bachbyrdChopinFuguenocturnepractice clinic

Related Posts

A Tool for Memory Work: Tracking

A Tool for Memory Work: Tracking

By Graham Fitch, 2013-08-29
Posted in: Practising, Teaching

Memorising a piece takes plenty of time and energy, and requires a strategy more sophisticated than simply closing the score after several weeks of reading it. Some memory work is like buying insurance - you hope you'll never actually need it! While some pianists memorise easily, others struggle with it…

Read More

Tags: ChopinChopin Nocturne in Bevaluatelisteningmarking the scorememorisationmemoryno. 1op. 32piano teachingpractice toolspractising backwardPractising The Piano eBook Seriestrackingvisualisation
A Tool for Memory Work: Tracking
Rhythm, Pedalling, Debussy & Mozart

Rhythm, Pedalling, Debussy & Mozart

By Informance, 2022-11-17
Posted in: Learning Pieces, Practising

In this month’s Practice Clinic, Graham Fitch answers questions on problems with rhythm, practising without the pedal, a sonata by Mozart and Debussy’s Arabesque No. 2.

Read More

Tags: DebussyDebussy ArabesqueGrade 8Mozartmozart K331practice clinicrhythmrhythm felt physicallyrhythms
Rhythm, Pedalling, Debussy & Mozart
Tackling a Programme

Tackling a Programme

By Graham Fitch, 2014-02-28
Posted in: Performing

I had an interesting question from a reader in Australia, so this week I thought I would address the issue of how to learn a programme consisting of multiple pieces. Do keep your questions coming in, I will do my best to answer them. Q. I want to learn to…

Read More

Tags: Chopineasy piecesexaminationslearning a piecememoryorganisationparkinson's lawperformancepractice toolsprogrammeQ&AThe Three S's
Tackling a Programme
Exam Resources for Elementary Players

Exam Resources for Elementary Players

By Graham Fitch, 2016-11-17
Posted in: Blog

When I started this blog in 2011, I wanted to set out what I called The Practice Tools. These are universal principles for what we do when we practise, applicable to all ages and levels of ability no matter our pianistic heritage or technical approach. You could even think of…

Read More

Exam Resources for Elementary Players
Memory Tips: Using One Finger

Memory Tips: Using One Finger

By Graham Fitch, 2015-01-23
Posted in: Blog

When we learn to walk at the toddler stage of our development, we are gradually forming the neurological pathways that will make the activity automatic. Once we are able to walk, we don’t need to concentrate on the activity at all. If we focus on the muscles or the individual…

Read More

Tags: goldberg variationsMozart
Memory Tips: Using One Finger
Some Favourite Pianists: Part Four

Some Favourite Pianists: Part Four

By Graham Fitch, 2014-09-04
Posted in: Blog

As an Englishman, I want to include some English pianists in this short favourites series. However, I would be on very dodgy ground if I chose some but not others, especially if they are still alive! So, I have decided to limit my selection to those no longer with us,…

Read More

Tags: clifford curzonharriet cohenirene scharrermoura lympanymyra hessStephen Siektobias matthay
Some Favourite Pianists: Part Four

Previous Post

The 2023 & 2024 ABRSM Syllabus

Next Post

Top Ten Tips for Amateur Pianists

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs