• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
  • About Us
    • Help & Support
    • Contact us
HomeLearning PiecesBach, Trills & Creating a Singing Tone

Bach, Trills & Creating a Singing Tone

By Informance, 2023-03-16 Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on fingering and executing trills, a Beethoven Sonata and creating a singing tone in Calme du soir by Moszkowski.

sinfonia in c bach trills

Practice clinic questions

Fingering for trills – In your tutorials you often recommend playing a trill using 3-2-4-3 fingering which I find difficult to get used to – I find using just 3-2-3-2 is much easier. Should I just practise the other fingering, till it gets comfortable or is it ok to use the 2-fingers-fingering? What is the benefit of the 3-fingers-fingering? I would also practise baroque ornaments in different scales, as a technique exercise. Is it a good idea? What fingerings can you recommend for playing / practising different ornaments?

JS Bach Sinfonia No. 1 in C, BWV 787 – I recently started this work having studied several of the two part inventions. I must admit to finding the trills a bit of a limiting factor with these pieces. E.g. It’s the execution particularly where the thumb is holding a note at the same time eg. bar 5 – I can only manage a triplet!

Beethoven Sonata in G, Op. 49 No. 2 (2nd mvt) – How should bars 67-71 (the one with the succession of chords with an interval of a sixth between the notes in the RH) be played? In my version, they look like they should be played kind of legato. When I play, they sound too rough, even with the suggested fingering on my edition. I listen to different versions on YouTube and many people play that passage staccato. Is it the right way to go?

Mozskowski Calme du Soir – In your recent workshop, you created a really lovely singing tone in Calme du soir by Moszkowski. Could you explain what you did to achieve this?

Upcoming Events

Oct 1
1 October @ 8:00 AM – 31 October @ 5:00 PM BST

Ten Years of Inspiring Pianists

Oct 17
3:00 PM – 5:00 PM BST

New Music Every Day

Oct 24
3:00 PM – 5:00 PM BST

The Soul of the Piano

View Calendar

Next practice clinic

Our next Practice clinic takes place on 19th April 2023 @ 12:00 BST. Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: bachbeethovenfingeringMoszkowskiornamentspractice clinicsinfoniassinging tonetone

Related Posts

Piano Day Practice Clinic

Piano Day Practice Clinic

By Informance, 2026-07-09
Posted in: Events, Practising

Watch our latest Practice Clinic with Graham Fitch, featuring audience questions on building speed, ornaments, challenging repertoire and rubato, recorded during the audience Q&A at our recent day of presentations, demonstrations and live coaching.

Read More

Tags: building speedChopindouble notesornamentspractice clinicrachmaninoff preluderhythmrubato
Piano Day Practice Clinic
Beethoven Piano Sonata in C Minor (Op.10 No.1)

Beethoven Piano Sonata in C Minor (Op.10 No.1)

By Informance, 2022-05-12
Posted in: Learning Pieces

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s fifth piano sonata in C minor, Op. 10 No. 1.

Read More

Tags: beethovenbeethoven on boardsonata
Beethoven Piano Sonata in C Minor (Op.10 No.1)
Sibelius, Schubert, Beethoven & More!

Sibelius, Schubert, Beethoven & More!

By Informance, 2024-06-13
Posted in: Practising

Our bumper Practice Clinic this month features answers to questions on pedalling, playing cantabile, practising chords, arpeggio fingering and pesky polyrhythms in works by Sibelius, Schubert, Mayerl, Piazzzola and Beethoven!

Read More

Tags: beethovenchordspedallingpractice clinicSchubertsibelius
2 Comments
Sibelius, Schubert, Beethoven & More!
On Silence and Reflection in Practice

On Silence and Reflection in Practice

By Graham Fitch, 2017-03-09
Posted in: Practising

Theodor Leschetizky (1830-1915) is an extremely important figure in the history of piano teaching. He was around at a formative time in the evolution of modern pianism, and produced a number of famous students (including Alexander Brailovsky, Ignaz Friedman, Ignace Paderewski, Benno Moisewitsch, and Artur Schnabel among many others). Leschetizky…

Read More

Tags: Carl Czernytheodor leschetizky
On Silence and Reflection in Practice
Practising Fast

Practising Fast

By Graham Fitch, 2012-01-06
Posted in: Practising, Teaching

Common sense suggests that if we can play a fast piece faster than intended, it will be easier to manage at the proper tempo, since we will have gone the extra mile. We'll have stretched our resources and sharpened up the reflexes, and this is indeed an excellent thing to…

Read More

Tags: beethovenconcertofast practicemetronomespeedteachingtempo
Practising Fast
Simplifying the Score

Simplifying the Score

By Graham Fitch, 2020-06-11
Posted in: Learning Pieces, Practice tools, Practising

When we begin work on a new piece, we might feel bewildered by all the information on the page. The score is dense with notes, fingerings, pedallings and other instructions and it can be difficult to see the wood for the trees. Where do we begin? Starting from the beginning…

Read More

Tags: blockingjs bachpreludeskeletonThe Well-Tempered Clavier
Simplifying the Score

Previous Post

Stories, Images and Magic from the Piano Literature

Next Post

Piano Day 2023 Events & Offers

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs