• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeExaminationsBeethoven, Mozart, Schubert & Schumann

Beethoven, Mozart, Schubert & Schumann

By Informance, 2023-07-06 Posted in: Examinations, Learning Pieces

Following on from our big instalment of video lessons for the 2023 & 2024 ABRSM examination syllabus published last month, we’ve now added videos for a further seven works. These videos provide detailed lessons for works from the intermediate and advanced grades, including several popular works from the repertoire by Mozart, Schumann and Beethoven.

In this blog post we provide video previews for a selection of these new lessons, starting with Mozart’s variations on ‘Ah vous dirai-je, maman’ (or Twinkle Twinkle, Little Star). This is followed by Schumann’s beautiful Einsame Blumen, an Impromptu by Schubert and the slow movement from Beethoven’s ‘Pathetique’ Sonata!

New Videos

ABRSM Grade 5 A10: Mozart – Theme, Var. 1 & Var. 5 (from 12 Variations on “Ah vous dirai-je, maman”, K. 265)

The French melody Mozart used for his 1785 set of twelve variations, ‘Ah, vous dirai-je, maman’ first appeared in 1761, and has been used for many children’s songs since. In this excerpt, Graham Fitch shows how to shape both the left and right hand lines in the theme of this piece:

Mozart

ABRSM Grade 6 B13: Schumann – Einsame Blumen (No 3 from Waldscenen, Op. 82)

Waldszenen (Forest Scenes), Op. 82, is a set of nine short pieces written by Robert Schumann in 1849. Einsame Blumen (Lonely Flowers) is a piece of extreme delicacy and beauty, requiring the performer to paint a picture in sound from the imagination. In this excerpt, Graham Fitch creates stories and gives advice on how having an imaginative story about this piece can help make the phrases sound more expressive:

Upcoming Events

Notice
There are no upcoming events.

ABRSM Grade 8 B9: Schubert – Impromptu in A-Flat Major (No. 2 from Four Impromptus, Op. 142, D. 935)

Schubert wrote two sets of Impromptus, each comprising four pieces. The term “impromptu” conveys a sense of improvisation or spontaneity, yet the formal structure (ABA) is very clear here. The A-flat Impromptu is based on a very simple, pure melody that reminds us of a gentle dance – a minuet, or maybe even a sarabande. In this excerpt, Graham Fitch explores the B section (trio) and gives ways to practise and voice the main theme:

Grade 8 B12: Beethoven – Adagio cantabile (2nd mvt from Sonata in C minor ‘Pathétique’, Op. 13)

The famous second movement of Beethoven’s ‘Pathétique’ Sonata begins in the manner of a string quartet, the first violin entering only in the second phrase. In this excerpt, Graham Fitch discusses pedalling and legato playing. He explains the various ways in which legato can be created, including finger substitution, finger legato and using the pedal:

Beethoven Pathetique Sonata

Click here for links to view the full videos on the Online Academy!

Other Videos

The videos featured in this blog post are only a small selection from our recent updates – click here to view the full index of available videos, including links to several from previous and other syllabuses (further information on our project for the previous 2021 & 2022 syllabus is available here).

We’ve now published video lessons for almost 50 pieces from the latest ABRSM syllabus with many more already recorded and currently in the various stages of the editing process. Please click here to sign-up to our mailing list for updates and notifications on this project and our resources for piano examinations.

Practising the Piano Online Academy

The Practising the Piano Online Academy is the ultimate online resource for mastering the piano. It features a constantly growing library of thousands of articles, videos and musical excerpts on topics including practising, piano technique and performing from leading experts. Please click here to find out more about the Online Academy or on one of the options below to subscribe:

  • Monthly subscription – Subscribe for £13.99 a month to get full, unlimited access to all Online Academy articles and updates (click here to sign-up for this option)
  • Annual subscription – Save almost 30% on the monthly subscription with an annual subscription for £119.99 per year and get free eBooks and editions worth over £70! (click here to sign-up for this option)
Tags: ABRSMabrsm 2023 & 2024ABRSM Grade 5ABRSM Grade 6ABRSM Grade 7ABRSM Grade 8beethovenexaminationsintermediateMozartPathetique SonataSchubertwaldszenen

Related Posts

Eat Your Greens!

Eat Your Greens!

By Graham Fitch, 2012-12-14
Posted in: Practising

A thorough knowledge of scales and arpeggios is an absolute necessity for all serious students of the piano. Here are some tips for incorporating them into lessons and practice.

Read More

Tags: arpeggioscreativityDebussydebussy clair de luneexaminationsfurther readingJoanne Haroutounianjoanne haroutounian explorations in musiclisteningscalesscales generatortheorytouch
Eat Your Greens!
Beethoven, MacDowell & Mozart

Beethoven, MacDowell & Mozart

By Informance, 2025-10-23
Posted in: Practising

In this practice clinic Graham Fitch answers questions on edition discrepancies, coordinating chords, building speed and achieving the correct rhythmic feel in works by Beethoven, MacDowell and Mozart.

Read More

Tags: bagatellebeethovenbuilding speedchordsEdward MacDowellMozartpathetiquepolyrhythmpractice clinictension
Beethoven, MacDowell & Mozart
Beethoven Piano Sonata in C Minor (Op.10 No.1)

Beethoven Piano Sonata in C Minor (Op.10 No.1)

By Informance, 2022-05-12
Posted in: Learning Pieces

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s fifth piano sonata in C minor, Op. 10 No. 1.

Read More

Tags: beethovenbeethoven on boardsonata
Beethoven Piano Sonata in C Minor (Op.10 No.1)
Playing with Style

Playing with Style

By Graham Fitch, 2022-09-15
Posted in: Learning Pieces

There was a time when pianists played from scores that included all sorts of directions from an editor, usually a famous pianist or teacher. There was no way of knowing which markings were from the composer and which had been added later by someone else. However, this didn’t seem to…

Read More

Tags: baroqueclassicalMozartmozart k332
Playing with Style
Embarking Upon Beethoven’s Piano Sonatas

Embarking Upon Beethoven’s Piano Sonatas

By Informance, 2024-05-09
Posted in: Learning Pieces

Pianist Julian Jacobson shares insights on how to embark upon learning Beethoven’s Piano Sonatas, giving tips on choosing editions and interpreting Beethoven’s musical intentions.

Read More

Tags: beethoveninterpretationjulian jacobsonsonatas
Embarking Upon Beethoven’s Piano Sonatas
The Fantasie-Impromptu: Some Ideas (Part Three)

The Fantasie-Impromptu: Some Ideas (Part Three)

By Graham Fitch, 2012-11-08
Posted in: Learning Pieces

Further to my first two posts, a reader has written in asking how to avoid the problem of fatigue in the RH in the forte passages from bar 13, and at the beginning of the coda. As with all piano playing, we have to use the right tool for the job, and…

Read More

Tags: Chopinchopin fantasie-impromptuforearm rotationornamentspedalrotary motion
The Fantasie-Impromptu: Some Ideas (Part Three)

Previous Post

Get Feedback on Your Playing!

Next Post

Albeniz, Tchaikovsky, Beethoven & Schubert

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

One Response to “Beethoven, Mozart, Schubert & Schumann”

  1. Emma Maguire

    2023-07-06 on 6:10 PM

    l really understand this Graham , and l would definitely be a candidate for over – practise and determination to ‘ get it right ‘ ! This can have its down side too , especially when its too much of one exercise, in efforts to solve the problem or difficulty . l think this article will definitely challenge alot of pianists in being more discerning on how we practise !
    thankyou
    Emma

    Reply

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs