Rolling Chords, Left Hand Leaps & Building Speed
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
Schumann, Mozart, Muscle Memory & Double Notes
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
Bach, Schubert, Pedalling & Playing Softly
In this month’s practice clinic, Graham Fitch answers questions on playing softly, practising a Bach Invention, pedalling in a piece by Maikapar and tackling some of the challenges in the 1st movement of Schubert’s monumental last sonata.
My Sight Reading Story
Lona Kozik shares her story of how she went from being hopeless at sight reading to earning a living as an accompanist and working in theatre.
Albeniz, Tchaikovsky, Beethoven & Schubert
In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.
Two Preludes, a Pavane & Grieg
In this month’s practice clinic, Graham Fitch answers questions on answers to questions on co-ordination, building speed, use of expression in early keyboard music and more in preludes by Heller and Alan Bullard, one of Grieg’s most famous Lyric Pieces and Byrd’s Earl of Salisbury.
Clair de Lune, MacDowell & a Chopin Etude
In this month’s practice clinic, Graham Fitch answers questions on pedalling, arpeggios, use of forearm rotation and more in Debussy’s Clair de Lune, MacDowell’s To a Wild Rose and works by Chopin and Handel.
Playing Chords, Legato, Brahms & Handel
In this month’s practice clinic, Graham Fitch answers two questions on playing chords followed by questions on achieving legato in a Rhapsody by Brahms and a Allemande by Handel
Bach, Trills & Creating a Singing Tone
In this month’s practice clinic, Graham Fitch answers questions on fingering and executing trills, a Beethoven Sonata and creating a singing tone in Calme du soir by Moszkowski.
