Introducing the Practice Sleuths
In our new blog series, our Practice Sleuths Graham Fitch and Adina Mornell investigate practising mysteries in detail and discuss ideas and insights on how to solve them! Episode 1…
In our new blog series, our Practice Sleuths Graham Fitch and Adina Mornell investigate practising mysteries in detail and discuss ideas and insights on how to solve them! Episode 1…
Our last Practice Clinic recording for the year features answers to questions on ornaments, a tricky passage and avoiding over analysis in the early stages of learning works by Bach & Beethoven!
Video conversation between Graham Fitch and Adina Mornell in which they discuss practice methods for tackling tricky spots using Beethoven’s Pathétique Sonata as an example.
Our last Practice Clinic before the summer break features answers to questions on a mazurka and nocturne by Chopin, ornaments in a Handel suite and mastering the jumps in Siloti’s beautiful arrangement of Glück’s Melody from Orfeo!
William Westney introduces his new video series which gives a powerful, proven strategy that is easy to implement and frees us to play ANY piece of music freely, expressively and spontaneously.
Our last Practice Clinic before the summer break features answers to questions on a mazurka and nocturne by Chopin, ornaments in a Handel suite and mastering the jumps in Siloti’s beautiful arrangement of Glück’s Melody from Orfeo!
Pianists often find that a piece falls apart beyond a certain speed. This article offers a more effective method than using a metronome to play faster.
Our bumper Practice Clinic this month features answers to questions on pedalling, playing cantabile, practising chords, arpeggio fingering and pesky polyrhythms in works by Sibelius, Schubert, Mayerl, Piazzzola and Beethoven!
In our latest practice clinic, Graham Fitch answers questions on memorisation, building speed in new pieces, pedalling and more in works by Heller, Burgmüller and Chopin.
Our latest Practice Clinic recording features practice suggestions and exercises for Strauss’s Blue Danube Waltz, Liszt’s Romance in E Minor, a Scriabin Prelude and the Funeral March From Chopin’s second Sonata.