• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomePractisingChopin, Liszt, Jumps and Chords

Chopin, Liszt, Jumps and Chords

By Informance, 2021-11-18 Posted in: Practising

In this month’s practice clinic, Graham Fitch answered questions on works by Chopin, Debussy, Mendelssohn and Liszt. Topics discussed included avoiding tension in repeated chords, developing speed, pedalling and jumps.

Chopin, Liszt, Jumps and Chords

Practice clinic questions

Chopin – Prelude (Op. 28 No. 4) – I am in the process of relearning this work. I am accumulating too much tension in my left hand while playing the repeated chords and haven’t been able to figure out how to play with a more relaxed hand. Two things are happening, as I progress the notes of the chords don’t sound together and voicing falls apart and by the end of the piece I am in pain.

10:00 Debussy – Clair de lune (from Suite bergamasque) – I have been playing this piece on and off for several years. There are 2 spots that I find uncontrollable:

  1. Bar 27 – The pedal is very messy here as I try to hold onto the melody notes, and it just feels awkward to play
  2. Bar 37 – The LH always feels uncoordinated and lumpy, so instead of moving the tempo forwards, I find myself needing to slow down to get all the notes

Mendelssohn – Scherzo in E Minor (Op. 16 No. 2) – I’m working on the Scherzo from the Op. 16 set, but can’t seem to find the necessary lightness and speed. My fingers feel like lead resulting in playing that’s too loud, plus there are too many wrong notes for my comfort.

Liszt’s – La Campanella, (No. 3 from Grand Paganini Études, S141) –  I need help with playing jumps to the high D sharp in multiple passages. The note is supposed to sound like a bell but it’s an embellishment, not part of the melody. I’m having problems playing the note evenly, especially with two-octave jumps. Sometimes the note is too loud, other times I miss it entirely, hitting the wrong note, and other times I play it too softly. See in particular, bars 4-6, 8-10, 41-48.

Next practice clinic

Our next practice clinic takes place on Wednesday 15th December on our Facebook page at 12:00 GMT. Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: Chopin Prelude in E minorDebussydebussy clair de luneLisztLiszt La CampanellaMendelssohn Scherzopractice clinic

Related Posts

Arpeggiation in Piano Playing

Arpeggiation in Piano Playing

By Graham Fitch, 2019-05-23
Posted in: Performing

I first published this post in July of 2016. Here it is again with one or two updates - including a link to the Online Academy's series on spread chords, and the recent video I made for Pianist Magazine. ***   ***   *** I once attended a piano recital where…

Read More

Tags: Carl Reineckecoronation concertoDebussyitalian concertojs bachMalcolm BilsonMozartRobert Schumannspread chordsträumerei
Arpeggiation in Piano Playing
The New ABRSM Syllabus – Grade 6

The New ABRSM Syllabus – Grade 6

By Graham Fitch, 2020-09-10
Posted in: Examinations, Learning Pieces

The next installment in my exploration of the new ABRSM syllabus features the main pieces in the Grade 6 list. In the following video I provide some highlights and tips for a selection of pieces from each of the three lists (A, B, and C) for the grade: https://youtu.be/07Ekw3K_0wM The…

Read More

Tags: ABRSM Grade 6ChopinDebussyexam preparationexaminationsMozartpiano examinations
The New ABRSM Syllabus – Grade 6
Going Beyond the Notes

Going Beyond the Notes

By Graham Fitch, 2022-03-03
Posted in: Inspiration, Performing

In this week’s blog post, Graham Fitch explores how imagination and narrative can be used to go beyond a literal rendition of notes to deliver performances that captivate and inspire listeners.

Read More

Tags: Debussydes abendsgoldberg variationsinterpretationL'isle joyeusenarrativeperformingRobert Schumann
Going Beyond the Notes

Previous Post

Using the Cycle of Fifths

Next Post

Trinity Syllabus Intermediate Grades

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2023 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs