• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeLearning PiecesAlbeniz, Tchaikovsky, Beethoven & Schubert

Albeniz, Tchaikovsky, Beethoven & Schubert

By Informance, 2023-07-13 Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.

Tchaikovsky's June from The Seasons

Practice clinic questions

Beethoven German Dance in G Major, WoO 8 – I would like to know if you have any performance suggestions, especially for the B section (starting with Trio). I am also struggling with two further things: 1) finding an easier fingering and 2) playing the LH in such a way that it doesn’t sound too “mushy” or detract from the melody in the RH.

D Scarlatti Sonata in D Major, Kp. 443 / L418 – Looking at several websites, it appears that some are crossing their right hand for the first note on the bass clef in bars 1 – 6. Is this good for small hands?

Albeniz Cordoba (No. 4 from Chants d’Espagne, Op. 232) – How would I practise bars 77 and 78 and bars125-132 in order to make the top line legato without losing the bass dotted quarter note or tied dotted bass note?

Schubert Impromptu in B-flat Major, Op. 142 No. 3 / D935 – I’m a bit stuck with how to figure out the pedalling for the theme. I would like to pedal half bars, but I assume the staccato dots and the semiquaver rests imply not to? I’m also struggling with the LH in the minor key variation.

Tchaikovsky June: Barcarolle (No. 6 from Les saisons, Op. 37b) – My teacher tells me I need more imagination in the opening of this piece. There are hardly any dynamic markings in my score, so I’m not really sure what I need to do to improve this.

Further resources & links

Click here to view Graham’s full video lesson for Tchaikovsky’s June: Barcarolle.

Upcoming Events

Sep 30
11:00 AM – 4:30 PM BST

Technique Day with Graham Fitch

Oct 28
2:30 PM – 5:00 PM BST

In-Person Performance Workshop

Nov 25
10:30 AM – 5:00 PM GMT

Romantic Workshop

View Calendar

Next practice clinic & new format

Going forward, our practice clinics are no longer taking place on Facebook live but are rather pre-recorded and published alongside our regular blog posts. We will also be taking a break for the summer during August and will resume our clinics in September (dates and details for question submissions will be announced by email). Please sign-up to our mailing list here for updates on future practice clinic question submission dates and to receive links to the recordings when they become available.

Watch previous clinics

Recordings of past practice clinics are posted up on our blog, Facebook page and YouTube channel once recorded and you can also view our full archive of previous events via these platforms.

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: albinezbeethoveninterpretationlegatopedallingpractice clinicScarlattiSchubertSchubert Impromptu in B flat

Related Posts

Making Scales Sound and Feel Good

Making Scales Sound and Feel Good

By Graham Fitch, 2014-04-11
Posted in: Practising

Some years ago I was invited to give a class on scales and arpeggios for a piano teachers’ association. There was one advancing student who was really struggling with them - everything was faulty and she could barely manage to get through. I only had a brief time with her,…

Read More

Tags: arpeggiosbeethovenChopinconcertoexaminationsexpressionimaginationjs bachMendelssohnperformancescalesstyle
Making Scales Sound and Feel Good
The Three S’s (Part One)

The Three S’s (Part One)

By Graham Fitch, 2011-05-22
Posted in: Practising, Teaching

I couldn’t get far into this blog without talking about one of my mantras, “The Three S’s”. That (for me) stands for “SLOWLY, SEPARATELY, SECTIONS”, despite the array of alternative possibilities on google. This is a neat way of referring to nitty-gritty practising - the sort of thing we do to…

Read More

Tags: beethovenChopindummyinghands separatelymemorySeparatelyThe Three S's
The Three S’s (Part One)
Beethoven, Mozart, Schubert & Schumann

Beethoven, Mozart, Schubert & Schumann

By Informance, 2023-07-06
Posted in: Examinations, Learning Pieces

A selection of video excerpts from our recent new additions to the Online Academy featuring Mozart’s variations on “Ah vous dirai-je, maman”, Schumann’s Einsame Blumen, an Impromptu by Schubert and the slow movement from Beethoven’s Pathetique Sonata!

Read More

Tags: ABRSMabrsm 2023 & 2024ABRSM Grade 5ABRSM Grade 6ABRSM Grade 7ABRSM Grade 8beethovenexaminationsintermediateMozartPathetique SonataSchubertwaldszenen
One Comment
Beethoven, Mozart, Schubert & Schumann
The Pitfalls of Mechanical Practice

The Pitfalls of Mechanical Practice

By Graham Fitch, 2019-03-07
Posted in: Practising

I get quite a lot of inspiration for topics to write about on my blog from my students. During a lesson something might crop up that seems important, or certainly worth writing about. On two separate occasions this week people had been attempting to solve what they perceived as technical…

Read More

Tags: annotated study editionrhythmsSchubertSchubert Impromptu in E flat
The Pitfalls of Mechanical Practice
The Trouble With Ornaments (Part One)

The Trouble With Ornaments (Part One)

By Graham Fitch, 2011-03-28
Posted in: Practising

The year was 1978 and I had been assigned the G major French Suite of J. S. Bach by my piano professor at the RCM. I duly went off to the Kensington Music Shop (which is still there by South Kensington tube station) to buy the Henle Urtext edition, and…

Read More

Tags: js bachornamentstheorytrills
The Trouble With Ornaments (Part One)
Managing Arpeggios

Managing Arpeggios

By Graham Fitch, 2014-04-25
Posted in: Practising

Scales and arpeggios are an important part of the developing pianist's technical regime, especially for those who go through graded examinations. Having looked at scale playing in recent posts, I thought I would explore arpeggios a little. Arpeggio playing relies on similar technical skills to scale playing, only an arpeggio…

Read More

Tags: arm shiftarm thumbarpeggiosexaminationspianist magazinePractising The Piano eBook Seriesscalesscales generatortechnique
Managing Arpeggios

Previous Post

Beethoven, Mozart, Schubert & Schumann

Next Post

Summer Piano Projects & Reading Ideas

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2023 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs