• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeLearning PiecesAlbeniz, Tchaikovsky, Beethoven & Schubert

Albeniz, Tchaikovsky, Beethoven & Schubert

By Informance, 2023-07-13 Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.

Tchaikovsky's June from The Seasons

Practice clinic questions

Beethoven German Dance in G Major, WoO 8 – I would like to know if you have any performance suggestions, especially for the B section (starting with Trio). I am also struggling with two further things: 1) finding an easier fingering and 2) playing the LH in such a way that it doesn’t sound too “mushy” or detract from the melody in the RH.

D Scarlatti Sonata in D Major, Kp. 443 / L418 – Looking at several websites, it appears that some are crossing their right hand for the first note on the bass clef in bars 1 – 6. Is this good for small hands?

Albeniz Cordoba (No. 4 from Chants d’Espagne, Op. 232) – How would I practise bars 77 and 78 and bars125-132 in order to make the top line legato without losing the bass dotted quarter note or tied dotted bass note?

Schubert Impromptu in B-flat Major, Op. 142 No. 3 / D935 – I’m a bit stuck with how to figure out the pedalling for the theme. I would like to pedal half bars, but I assume the staccato dots and the semiquaver rests imply not to? I’m also struggling with the LH in the minor key variation.

Tchaikovsky June: Barcarolle (No. 6 from Les saisons, Op. 37b) – My teacher tells me I need more imagination in the opening of this piece. There are hardly any dynamic markings in my score, so I’m not really sure what I need to do to improve this.

Further resources & links

Click here to view Graham’s full video lesson for Tchaikovsky’s June: Barcarolle.

Upcoming Events

Jan 24
3:00 PM – 4:00 PM GMT

Who’s Afraid of a Blackout?

Feb 5
6:30 PM – 7:30 PM GMT

Live Practice Clinic

Feb 13
6:00 PM – 7:30 PM GMT

Six Blues Improvisation Lessons for Beginners

View Calendar

Next practice clinic & new format

Going forward, our practice clinics are no longer taking place on Facebook live but are rather pre-recorded and published alongside our regular blog posts. We will also be taking a break for the summer during August and will resume our clinics in September (dates and details for question submissions will be announced by email). Please sign-up to our mailing list here for updates on future practice clinic question submission dates and to receive links to the recordings when they become available.

Watch previous clinics

Recordings of past practice clinics are posted up on our blog, Facebook page and YouTube channel once recorded and you can also view our full archive of previous events via these platforms.

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: albinezbeethoveninterpretationlegatopedallingpractice clinicScarlattiSchubertSchubert Impromptu in B flat

Related Posts

Etudes, Studies & Chopin’s First Ballade

Etudes, Studies & Chopin’s First Ballade

By Informance, 2024-05-02
Posted in: Practising

In our latest practice clinic, Graham Fitch answers questions on memorisation, building speed in new pieces, pedalling and more in works by Heller, Burgmüller and Chopin.

Read More

Tags: BurgmüllerChopinChopin Ballade in G minorhellerpractice clinic
Etudes, Studies & Chopin’s First Ballade
Going Beyond the Notes

Going Beyond the Notes

By Graham Fitch, 2022-03-03
Posted in: Inspiration, Performing

In this week’s blog post, Graham Fitch explores how imagination and narrative can be used to go beyond a literal rendition of notes to deliver performances that captivate and inspire listeners.

Read More

Tags: Debussydes abendsgoldberg variationsinterpretationL'isle joyeusenarrativeperformingRobert Schumann
Going Beyond the Notes
Beethoven Piano Sonata in C Major (Op. 3 No. 2)

Beethoven Piano Sonata in C Major (Op. 3 No. 2)

By Informance, 2021-12-09
Posted in: Learning Pieces

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s third piano sonata in C major, Op. 2 No. 3.

Read More

Tags: beethovenbeethoven on board
Beethoven Piano Sonata in C Major (Op. 3 No. 2)
Not Enough Time to Practise?

Not Enough Time to Practise?

By Informance, 2025-08-07
Posted in: Practice tools, Practising

Not enough time to practise? Practising more ≠ practising better – Here’s how to get better results from your practising in less time!

Read More

Tags: quarantiningrachmaninoff prelude
Not Enough Time to Practise?
Fundamentals of Piano Practice

Fundamentals of Piano Practice

By Informance, 2022-03-31
Posted in: News, Practising

Tuesday 29th of March was Piano Day 2022 and we celebrated by running a free online event featuring a revised version of one of our most popular online workshops.

Read More

Tags: piano day
Fundamentals of Piano Practice
Learning New Pieces From the Ground Up

Learning New Pieces From the Ground Up

By Informance, 2018-03-06
Posted in: From the Ground Up, Practice tools, Practising

One of the most common questions my readers ask is how they can learn new pieces more effectively. As it turns out, one of the most popular posts of all time at www.practisingthepiano.com is “But It Takes Me Ages To Learn A New Piece!”. Therefore, I’m very pleased to announce…

Read More

Tags: From the Ground Upjs bachlearning a piecepractice toolsSchumann
Learning New Pieces From the Ground Up

Previous Post

Beethoven, Mozart, Schubert & Schumann

Next Post

Fresh Air, Dragonflies, Morning Sunbeam & Secret Footpath

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs