• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomePractisingMozart, Mendelssohn, Grieg and Ravel!

Mozart, Mendelssohn, Grieg and Ravel!

By Informance, 2021-05-27 Posted in: Practising

In this month’s practice clinic (May 2021), Graham Fitch answered questions on coordinating the hands, using forearm rotation, trills and various other topics. Works featured include Mozart’s Sonata in a minor K310, a Menuet by Lully, Mendelssohn’s Song Without Words Op. 19 No. 4, Grieg’s Summer Eve and Ravel’s Sonatine.

practice clinic screenshot

Practice clinic questions

  • WA Mozart – Sonata in A Minor, K310 2nd Mvt (Bars 16 – 17) – Practice approaches to coordinating the left and right hands, particularly when putting the hands together and playing the trills
  • Jean-Baptiste Lully – Menuet from Essential Keyboard Repertoire (Bar 16) – What is the purpose of the G# in what is essentially a piece in D minor?
  • Felix Mendelssohn – Song Without Words, Op. 19 No. 4 (Bars 1 – 4) – How to use forearm rotation in the right way in order to play the opening four bars without tension or pain
  • Edvard Grieg – Summer Eve (Bars 14 – 18) – Getting the left hand in synch with the right hand both slowly and up to speed
  • Maurice Ravel – Sonatine, 1st Mvt (Opening bars) – Suggestions for overcoming difficulties in obtaining the desired sound and evenness in the opening bars of this work (we also have our own study edition for this work – click here for more information!)

Next practice clinics

Our next practice clinic takes place on Wednesday 23rd June on our Facebook page at 12:00 BST. Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: GriegLullyMendelssohnMozartMozart Sonata in A minor K310practice clinicRavelRavel Sonatine

Related Posts

The Weakest Link

The Weakest Link

By Graham Fitch, 2013-11-08
Posted in: Performing

In the run-up to Christmas, I am reminded of the low-tech decorations we used to make at school back in the day - paper chains. We would lick the gummed end of the coloured paper strip, wince a bit because it tasted horrible, then stick it to the other end…

Read More

Tags: anxietyerrorsmaking a chainMozartMozart Sonata in C K279performanceSections
The Weakest Link
Gershwin, Schumann and Balancing Voices

Gershwin, Schumann and Balancing Voices

By Informance, 2022-03-17
Posted in: Practising

Our latest Practice Clinic recording features answers to questions on balancing voices, reducing tension, articulation, shaping and achieving rhythmic fluency in works by Bach, Scarlatti, Liszt, Debussy, Schumann and Gershwin.

Read More

Tags: arabesqueDebussydouble thirdsgershwinjs bachkinderszenenpartitapractice clinicRobert SchumannScarlattivoicing
Gershwin, Schumann and Balancing Voices
Two Preludes, a Pavane & Grieg

Two Preludes, a Pavane & Grieg

By Informance, 2023-06-15
Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on answers to questions on co-ordination, building speed, use of expression in early keyboard music and more in preludes by Heller and Alan Bullard, one of Grieg’s most famous Lyric Pieces and Byrd’s Earl of Salisbury.

Read More

Tags: ABRSM Grade 6bullardbyrdGrieghellerLyric Piecespedallingpractice clinicrenaissancetrinity grade 7
Two Preludes, a Pavane & Grieg

Previous Post

Improving Your Left Hand

Next Post

Finding and Choosing Piano Fingering

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs