• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomePractice toolsRhythm Practice Done Right

Rhythm Practice Done Right

By Informance, 2025-04-03 Posted in: Practice tools, Practising

Practising a passage using rhythmic variations is a long-standing tradition among pianists. When applied thoughtfully, it can be an excellent way to develop control, accuracy and fluency. However, as is the case with any practice tool – it’s how you do it that really matters! If misused, rhythm practice can lead to mechanical, uninspired playing and even build unwanted tension.

The Purpose of Rhythm Practice

Rhythm practice involves taking a passage of even notes and altering its rhythmic structure. This method is often credited with strengthening fingers, but its real benefit lies in sharpening reflexes and enhancing control of your fingers. The idea is that by practising a passage in a variety of rhythms, your execution will improve significantly when you return to the original notation.

Variations for rhythm practice

The Pros and Cons

Benefits:

  1. Improves finger control and reflexes – Practising in different rhythms helps develop finger independence and agility.
  2. Enhances evenness – Regrouping the notes in different ways enables you to identify weak spots and refine passagework.
  3. Builds speed and accuracy – By varying the rhythmic patterns, the brain adapts, making fast and even playing feel more natural.

Potential drawbacks:

  1. Can become mechanical – Overuse may lead to mindless repetition without real engagement with musicality.
  2. Might introduce tension – The sudden bursts of energy in dotted rhythms can cause unwanted tension unless managed carefully.
  3. Could lead to insensitivity – Rhythm practice can discourage active listening and musical playing if applied indiscriminately.

Effective Approaches to Rhythm Practice

The following are some suggestions for harnessing the benefits of rhythm practice while avoiding the potential pitfalls:

1. Releasing tension

Incorporate pauses with a conscious release of tension by:

  • Playing the main note with a firm attack and hold it momentarily.
  • Immediately releasing all effort, ensuring a feeling of physical freedom.
  • Playing the following fast notes lightly and effortlessly.

This process can be repeated with the pauses gradually shortened until they disappear.

2. Grouping notes in expanding patterns

Instead of treating every note equally, introduce stopping points at increasing intervals. Start by inserting long notes at regular intervals within the passage and then gradually reduce the stopping points, increasing the number of connected notes. This is an excellent way to build up speed while retaining control!

3. Using different touches

Introducing further variety in touch can be a another excellent way to avoid mindless playing and tension while also refining articulation. This can be done by accentuating the main (long) note with a marcato (louder or more forceful) touch. Then the subsequent faster notes can be played leggierissimo (extremely light and soft).

4. Adding and shifting accents

Another effective tool for passagework that can be used in alternation or combination with rhythm practice is adding accents. When using this as an alternative, you play the passage you’re working on evenly but add accents in different places. For example, you can start by accenting every second note, every beat and then each bar.

To ensure you remain engaged and to improve co-ordination in a tricky passage, you can then add variations by shifting the accents i.e. placing them on different notes within each group, as in this example from the Finale finale of Chopin’s Piano Sonata No. 2 in B-Flat Minor (Op. 35):

You can also combine variations in rhythm and accents to really give your brain a workout!

Use Rhythm Practice Wisely!

While rhythm practice can be a valuable tool, it should be applied consciously and creatively. Instead of relying on a rigid formula, you should:

  • Identify the specific technical or musical issue that you aim to solve.
  • Select rhythmic patterns that directly address the challenge.
  • Ensure that musical expression and physical ease are maintained throughout.
  • Regularly reassess whether the method is producing the desired results.

If you’d like hands-on guidance in using rhythm practice, accents and other tools effectively, then do join Graham Fitch on Saturday 5th April for the second online workshop in his interactive practice tools series. Building on the foundations laid with slow practice in the first workshop, this next session will show you exactly how to use tried and tested ways to build speed while retaining fluency and accuracy. Click here to find out more!

Tags: accentsChopinpassageworkrhythm practice

Related Posts

The Analytic Memory

The Analytic Memory

By Graham Fitch, 2012-05-25
Posted in: Practising

I have had several requests for an article on memorisation. Since I already wrote one last year for Pianist Magazine, entitled Mind Over Memory, I thought I would include it here. This is Part One, dealing with the most neglected aspect of memory, using one's brain. Next week, I will…

Read More

Tags: childrenChopinevaluateGina BachauerGlenn Gouldlisteningmemorypianist magazinetheory
The Analytic Memory
Beethoven, Alberti Bass & Chopin’s Berceuse

Beethoven, Alberti Bass & Chopin’s Berceuse

By Informance, 2023-02-23
Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on playing fast and evenly, Alberti basses and practice methods for a Sonata and Bagatelle by Beethoven, Chopin’s Berceuse and a Mazurka

Read More

Tags: alberti bassbeethovenChopinchopin berceusepractice clinic
4 Comments
Beethoven, Alberti Bass & Chopin’s Berceuse
The Fantasie-Impromptu

The Fantasie-Impromptu

By Graham Fitch, 2019-10-17
Posted in: Learning Pieces

Chopin’s Fantasie-Impromptu, op. post. 66, is surely one of the composer’s most popular works – one that many pianists often try to play before they are quite ready for the technical challenges it poses.  The story goes that Chopin wrote the piece in 1834 but never published it. Instead, his friend…

Read More

Tags: Chopinchopin fantasie-impromptuFantasie-Impromptupolyrhythm
The Fantasie-Impromptu
A Keyboard Conversation with Beate Toyka

A Keyboard Conversation with Beate Toyka

By Informance, 2025-03-27
Posted in: Practice tools, Practising

Video conversation between Graham Fitch and Beate Toyka on playing Bach’s keyboard music on the piano, covering topics from articulation, dynamics and pedalling through to enhancing musical expression with storytelling and personal interpretations.

Read More

Tags: articulationbachbaroqueinterpretationkeyboard conversationspedallingperforming
A Keyboard Conversation with Beate Toyka
Focus Your Practice with Zigzag

Focus Your Practice with Zigzag

By Graham Fitch, 2017-01-26
Posted in: Practice tools, Practising

I use a form of practice for myself that I call zigzag practice. It helps test and strengthen my memory by keeping me incredibly focussed, but there's no way it will work unless I am concentrating fully. I also recommend it to my students, and I have noticed it has…

Read More

Tags: Handel Sonatina in Gzigzag
Focus Your Practice with Zigzag
Using the Right Tools for the Job

Using the Right Tools for the Job

By Informance, 2025-10-30
Posted in: Practice tools, Practising

Discovery a variety of practice tools specially suited to tackling the challenges encountered in the early stages of learning a new piece!

Read More

Tags: learning a pieceonline eventsworkshop
Using the Right Tools for the Job

Previous Post

A Keyboard Conversation with Beate Toyka

Next Post

The Practice Sleuths Episode #3

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2025 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs