• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomePractisingRhythmic Challenges, Ravel and Pedalling

Rhythmic Challenges, Ravel and Pedalling

By Informance, 2022-09-22 Posted in: Practising

In this month’s Practice Clinic, Graham Fitch answers questions on rhythmic challenges, hand-redistribution, building speed and pedalling in works by Beethoven, Uwe Korn, Ravel and Grieg.

Rhythmic Challenges, Beethoven, Ravel and Pedalling

Practice clinic questions

Beethoven Sonata in E Major, Op. 14 No. 1 (3rd mvt) – I’m having difficulty with the syncopated polyrhythm that starts at bar 108. It feels like I’ve spent longer on those three bars than the rest of the sonata combined! There is a similar problem spot in bar 81 of Op. 14 No. 2, and Chopin’s Nocturne Op. 27 No. 1 (B section) where one hand is missing the first beat.

Uwe Korn Caballos Espanoles (from Tango Meets Jazz) – I’m finding it difficult to play the rhythm of the left hand correctly, especially when playing with the right hand together in Chorus 1 and 2 (bars 22-53). How should I practise to secure the rhythm of the left hand and with pedal? How should the notes in Chorus 2 (bars 38-53) be phrased, and how to practise so that right hand can play through easily in this section. Lastly, is pedal needed for this section?

Ravel Sonatine (3rd mvt) – I have been struggling to come up with a workable fingering for a section from bar 43. I’ve tried redistributing some of the 16th notes from one hand to the other which works OK at a slow tempo but comes adrift when I play at the speed.

Grieg Wedding Day at Troldhaugen. Op. 65 No. 6 (from Lyric Pieces) – I have a question about the pedalling in the opening section. The printed pedalling is very murky, may I alter this or is there a reason behind it? Also, I am finding it hard to make sense of the second part, with the alternating semiquavers. Can you suggest how I might practise it so I can play it at the tempo?

Next practice clinic

Our next Practice clinic takes place on 12th October @ 12:00 BST. Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: beethovenbuilding speedGriegpedallingpolyrhythmpractice clinicRavelredistributionrhythm

Related Posts

On Rhythm: How to Develop a Steady Pulse  

On Rhythm: How to Develop a Steady Pulse  

By Graham Fitch, 2018-09-20
Posted in: Practice tools, Practising, Rhythm, Teaching

I decided to put together an occasional series on rhythm, in response to readers who say they experience rhythmical issues when they play. There are many factors that may contribute to this problem, and I am going to cover one point at a time. Welcome to the first post in…

Read More

Tags: metronomepulserhythm
On Rhythm: How to Develop a Steady Pulse  
Bach, Schubert, Pedalling & Playing Softly

Bach, Schubert, Pedalling & Playing Softly

By Informance, 2023-09-21
Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on playing softly, practising a Bach Invention, pedalling in a piece by Maikapar and tackling some of the challenges in the 1st movement of Schubert’s monumental last sonata.

Read More

Tags: bachinventionlegatomaikaparpedallingpractice clinicSchubert
Bach, Schubert, Pedalling & Playing Softly
Slow Practice: The Sequel

Slow Practice: The Sequel

By Graham Fitch, 2014-10-23
Posted in: Practising

I am very glad last week's post on enjoying slow practice seemed to have interested quite a lot of readers. While practising a fast or fast-ish piece very slowly is wonderful for control and precision - the majority of the world's finest pianists swear by this technique - it is…

Read More

Tags: building speedfast practiceplaying fasterslow practiceslow practising
Slow Practice: The Sequel
A Tarantella, Trills & Tricky Endings!

A Tarantella, Trills & Tricky Endings!

By Informance, 2025-07-17
Posted in: Practising

In this practice clinic Graham Fitch answers questions on polyrhythms, trills, avoiding tension and other topics in two Chopin Nocturnes, Burgmüller’s Tarantella and an arrangement of Grieg’s In the Hall of the Mountain King.

Read More

Tags: building speedBurgmullerChopinGriegornamentspolyrhythmpractice clinicrepeated notestension
A Tarantella, Trills & Tricky Endings!
A Bar at a Time

A Bar at a Time

By Graham Fitch, 2017-06-29
Posted in: Learning Pieces, Practising

When I was going through the early grades myself as a lad, my teacher would instruct me to learn my new pieces bar by bar, and with each hand separately. I’m not sure how much I obeyed her when I was home alone though! I really do believe that if…

Read More

Tags: practising
A Bar at a Time
A Sound Investment

A Sound Investment

By Graham Fitch, 2012-02-11
Posted in: Performing, Practising

In a recent post, I suggested that performing (or playing through), can be compared to spending, whereas practising has its parallels with investing. Successful people in the business world will have struck a healthy balance between the two: too much of one and not enough of the other is a…

Read More

Tags: concentrationperformancepractice toolsSlowly
A Sound Investment

Previous Post

Playing with Style

Next Post

A Baroque Bonanza

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

One Response to “Rhythmic Challenges, Ravel and Pedalling”

  1. James Whalley

    2022-09-24 on 1:08 AM

    Thank you Graham! As somebody with too much to do, trying to find time to fit in at least a few minutes practice a day, I can’t express how much I appreciate these wonderful lessons, so full of brilliant practical advice and suggestions. I treasure them.

    Reply

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs