• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomePractisingSchubert, Liszt and Structuring a Practice Session

Schubert, Liszt and Structuring a Practice Session

By Informance, 2021-12-16 Posted in: Practising

In this month’s practice clinic, Graham Fitch answered questions on works by Schubert, Liszt, Couperin and Chopin. Topics discussed included time management, building speed and evenness.

Practice clinic questions

Building Speed – I have listened to the workshop on developing speed several times. I am wondering if it is wise to choose one of the techniques and stick with it or use a combination of all three (Metronome, little bits fast, and rhythms)?

Time Management – I usually spend a couple of hours a day practising and am struggling a bit with how much time to spend on different things. I don’t seem to be able to do everything every day! How much time should I spend on different activities? I seem to start out with scales, warmups, technique (etudes) and then I find I have less time left for learning pieces.

Schubert – Impromptu in Ab, D.142, No.2 – I would appreciate some help with the Trio section of this work. I’m finding it difficult to play evenly, and no matter what I do in my practice this section is always unreliable.

Liszt – “Chapelle de Guillaume Tell” (from Années de Pèlerinage I: Suisse) – The tremolos in the left hand (starting at bar 21) are killing me! How can I get a grip on them?

Next practice clinic

Our next practice clinic takes place on Wednesday 19 January on our Facebook page at 12:00 GMT. Please sign-up to our mailing list here for updates on future practice clinic dates.

Watch previous clinics

Recordings of past practice clinics are posted up on our Facebook page and YouTube channel shortly after each event. You can also view our full archive of previous events via these links!

How they work?

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.



Tags: ChopincouperinLisztSchubertschubert impromptu

Related Posts

Freeing Up Space

Freeing Up Space

By Graham Fitch, 2015-05-08
Posted in: Blog

I have had quite a lot of feedback from last week's post on the benefits of speaking aloud to ourself as we practise - it seems that many of us do it! Just after I hit the "publish" button I remembered two other uses for the voice in our practice.…

Read More

Tags: beethovenChopinLeon FleisherminuetMozartsonatawaltz
Freeing Up Space
The Pitfalls of Mechanical Practice

The Pitfalls of Mechanical Practice

By Graham Fitch, 2019-03-07
Posted in: Practising

I get quite a lot of inspiration for topics to write about on my blog from my students. During a lesson something might crop up that seems important, or certainly worth writing about. On two separate occasions this week people had been attempting to solve what they perceived as technical…

Read More

Tags: annotated study editionrhythmsSchubertSchubert Impromptu in E flat
The Pitfalls of Mechanical Practice
Taking Ownership

Taking Ownership

By Graham Fitch, 2011-10-15
Posted in: General tips, Performing

Some years ago, Dame Fanny Waterman gave a masterclass for the BBC (Beethoven Sonata, op. 2 no. 2 , I think it was) and had made some suggestions to the student who then proceeded to play it back, respectfully verbatim. Dame Fanny likened this to loaning the student a dress for…

Read More

Tags: analysisbeethovenChopinDame Fanny WatermanexpressioninterpretationJorge BoletMozart Turkish RondoPeter KivyRachmaninovShura Cherkasskytheory
Taking Ownership

Previous Post

Beethoven Piano Sonata in C Major (Op. 3 No. 2)

Next Post

Festive Greetings & Christmas Gifts!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs