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HomePractisingSchumann, Schubert, Arpeggios & Rubato!

Schumann, Schubert, Arpeggios & Rubato!

By Informance, 2025-05-08 Posted in: Practising

In this bumper practice clinic edition, Graham Fitch answers questions on voicing techniques for small hands in Schumann’s Kind im Einschlummern, managing tricky arpeggios in a toccata by Krebs and gives advice on how to help a dyslexic student structure their practice on Lasko’s Tarantella. He also explores ways to tackle trills in Schubert’s Fantasia in F minor and offers insight into the use of rubato using works by Schumann and Mozart as examples!

Schumann Kind im Einschlummern

Practice clinic questions

Schumann Kind im Einschlummern (Op. 15 No. 12 from Kinderszenen) – There’s no way for me to reach the LH 10ths. What do you think of using the RH thumb instead of the left? What are good techniques to ensure you keep the note part of the LH chord instead of it sounding like it’s part of the RH melody?

Johann Ludwig Krebs Toccata in E-flat major, WV827 – I’m frequently missing the B-flat and then hitting other black keys on the way up the arpeggio in bars 20 and 23. Also, in left hand I changed fingering for bar 22 to 2-1-2-1 instead of 3 on F to prepare for 5 on B-flat again. It also sounds awkward – should I go over it with the metronome?

Agnieszka Lasko Tarantella – Can you provide some advice on how I could help a dyslexic student structure their practice for bars 9 – 16 of this work?

Schubert Fantasia in F minor for Piano Four Hands, D. 940, Op. 103 (2nd mvt) -I’m having difficulty with the trills in the 2nd movement of this work in the primo part (bars 1, 3, 29-32). Can you advise on ways to secure these?

Using rubato in different contexts – While I understand in theory what rubato is, but I assumed there was always one way to do it until my teacher advised me that there is a difference between slow and fast rubato. Until now, my use of rubato has just been based on copying what other pianists do by ear. I’d like to understand how rubato is used in different contexts, for example in Chopin’s Waltz in A minor, Op. posth (bar 150) and Mozart’s Sonata in C major, K545 (2nd mvt)?

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Tags: arpeggiosfingeringlaskoMozartornamentspractice clinicrubatoSchubertSchumannvoicing

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One Response to “Schumann, Schubert, Arpeggios & Rubato!”

  1. Mary Campbell

    2026-01-08 on 5:39 PM

    Thank you so much for these helpful, informative, and clear instruction recordings!! They are making a huge impact on my practice and performance!!

    Reply

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