• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • London Piano Courses
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeLearning PiecesStrauss, Scriabin & a Funeral March

Strauss, Scriabin & a Funeral March

By Informance, 2024-03-07 Posted in: Learning Pieces, Practising

Our latest Practice Clinic recording features practice suggestions and exercises for Strauss’s Blue Danube Waltz, Liszt’s Romance in E Minor, a Scriabin Prelude and the Funeral March From Chopin’s second Sonata.

Scriabin Prelude Op. 11 No. 4

Practice clinic questions

Strauss Blue Danube Waltz (arr. Ernest Haywood) – I’m struggling with playing the tremolo in the RH with two fingers against one in the opening intro (6/8 section) of this piece. The two fingers are not playing together and I have too much tension in the hand. This makes it difficult to play it evenly, up to speed and to control the volume. Any practice suggestions most welcome!

Liszt Romance in E Minor, S169 – Everything is going well until the second section (Bar 38) when the left hand arpeggios from the first section turn into triplets, which means they are played much faster. Can you advise as to the best way to practise to get them up to speed smoothly and evenly please?

Scriabin Prelude in E Minor, Op. 11 No. 4 – I am looking for some pointers on how to go about tackling this piece. 1) I’m not too sure about the best fingering for the LH, 2nd system; 3) I’m not sure to what extent the RH chords need to be legato – I see several legato marks, however when I listen to recordings of this piece, though not quite staccato, the chords sound slightly detached; 4) any tips on pedalling would be great; 5) finally, I can see I’m going to struggle with bringing out the melody in this piece, because the RH chords seem to take over, so any tips of achieving balance would be good too!

Chopin Piano Sonata No. 2, Op 35 (3rd mvt) – I have difficulty coordinating huge chords in RH with LH Ornaments in Bars 27 & 28. It would be much appreciated if you could advise on some simple exercises to practise this spot!

Upcoming Events

Oct 1
1 October @ 8:00 AM – 6 December @ 5:00 PM BST

Learn a New Piece with Graham Fitch

View Calendar

Next practice clinic & new format

Going forward, our practice clinics are no longer taking place on Facebook live but are rather pre-recorded and published alongside our regular blog posts. Our next clinic will be published in April 2024. Please sign-up to our mailing list here for updates on future practice clinic dates and to receive links to the recordings when they become available.

Watch previous clinics

Recordings of past practice clinics are posted up on our blog, Facebook page and YouTube channel once recorded and you can also view our full archive of previous events via these platforms.

How they work?

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Online Academy subscribers can submit questions for practice clinics up to two weeks before each session. This can be done using the link provided on the Online Academy dashboard under “subscription benefits” (click here to sign-in and visit your dashboard).

Further information on how our practice clinics work is available here or please click here to find out more about the Online Academy.

Tags: blue danubeChopinfuneral marchLisztpractice clinicScriabinstrausstremolo

Related Posts

Etudes, Studies & Chopin’s First Ballade

Etudes, Studies & Chopin’s First Ballade

By Informance, 2024-05-02
Posted in: Practising

In our latest practice clinic, Graham Fitch answers questions on memorisation, building speed in new pieces, pedalling and more in works by Heller, Burgmüller and Chopin.

Read More

Tags: BurgmüllerChopinChopin Ballade in G minorhellerpractice clinic
Etudes, Studies & Chopin’s First Ballade
Taking Ownership

Taking Ownership

By Graham Fitch, 2011-10-15
Posted in: General tips, Performing

Some years ago, Dame Fanny Waterman gave a masterclass for the BBC (Beethoven Sonata, op. 2 no. 2 , I think it was) and had made some suggestions to the student who then proceeded to play it back, respectfully verbatim. Dame Fanny likened this to loaning the student a dress for…

Read More

Tags: analysisbeethovenChopinDame Fanny WatermanexpressioninterpretationJorge BoletMozart Turkish RondoPeter KivyRachmaninovShura Cherkasskytheory
Taking Ownership
Pedalling, Fluency and Playing Legato

Pedalling, Fluency and Playing Legato

By Informance, 2023-12-14
Posted in: Learning Pieces, Practising

Our latest Practice Clinic recording features answers to questions on rhythm, fluency in fast passages, playing legato double notes and pedalling in works by Schubert, Mozart, Liszt & Sciarra.

Read More

Tags: building speedlegatoLisztMozartpedallingpractice clinicSchubert
Pedalling, Fluency and Playing Legato
On Dotted Rhythms

On Dotted Rhythms

By Graham Fitch, 2011-04-25
Posted in: Performing, Practising

Several of you have contacted me about doing a post on the subject of practising in dotted rhythms, that process where we deliberately and willfully go against the composer's express wish for a passage  to be played evenly by changing the rhythmic notation for our own devious ends. This is…

Read More

Tags: accuracydotted rhythmsHanonrhythmspeed
On Dotted Rhythms
A Keyboard Conversation with Adina Mornell

A Keyboard Conversation with Adina Mornell

By Informance, 2024-11-14
Posted in: Practice tools, Practising

Video conversation between Graham Fitch and Adina Mornell in which they discuss practice methods for tackling tricky spots using Beethoven’s Pathétique Sonata as an example.

Read More

Tags: Adina Mornellbeethovenkeyboard conversationspathetiqueperformingquarantining
One Comment
A Keyboard Conversation with Adina Mornell
Back Up!

Back Up!

By Graham Fitch, 2013-08-09
Posted in: Practising, Teaching

In an effort to assist students with their learning, I will often ask for the beginning and the end of the piece in a lesson. Or perhaps even work on the last movement a bit before embarking on the first (I have written about this in a previous post so I won't repeat…

Read More

Tags: backwards practiceFred ChildKhachaturian Toccataloopingmaintenancemaking a chainmemoryPerformance Today American Public MediaPractising The Piano eBook SeriesSimone Dinnersteinteaching
Back Up!

Previous Post

Playing Piano Music from the Classical Period (Part 2)

Next Post

Pieces to Play – Great Classical Piano Hits!

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2025 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs