In this practice clinic Graham Fitch answers questions on polyrhythms, trills, avoiding tension and other topics in two Chopin Nocturnes, Burgmüller’s Tarantella and an arrangement of Grieg’s In the Hall of the Mountain King.
Our first practice clinic of the year features questions on crossing hands, fingering, ornaments and more in Prokofiev, Bach, Grieg and Scarlatti!
In this month’s practice clinic, Graham Fitch answers questions on answers to questions on co-ordination, building speed, use of expression in early keyboard music and more in preludes by Heller and Alan Bullard, one of Grieg’s most famous Lyric Pieces and Byrd’s Earl of Salisbury.
In this month’s practice clinic, Graham Fitch answers questions on Debussy’s Clair de Lune and achieving a graceful, light touch in works by Grieg and Chopin.
In this month’s Practice Clinic, Graham Fitch answers questions on learning pieces, building speed and practising trills in works by Chopin, Schubert, Mozart & Grieg.
In this month’s Practice Clinic, Graham Fitch answers questions on rhythmic challenges, hand-redistribution, building speed and pedalling in works by Beethoven, Uwe Korn, Ravel and Grieg.
In this month’s practice clinic, Graham Fitch answered questions on various topics in works by Mozart, Chopin, Clementi and Grieg.
In this month’s practice clinic Graham Fitch answered questions on coordinating the hands, using wrist rotation, trills and other topics in works by Mozart, Mendelssohn, Grieg and Ravel.
This week’s blog post features our most recent Practice Clinic in which Graham Fitch responds to questions submitted by Online academy subscribers. In this recording, Graham discusses topics such as legato playing, fingering, building speed and quarantining in works by Beethoven, Chopin, Grieg and Debussy.
Edvard Grieg’s collection of 66 short Lyric Pieces includes some of his best known music. They were published in 10 volumes between 1867 and 1901 and because most are accessible…
