Pedalling, Voicing & Learning Under Pressure
Piano Day Practice Clinic with Graham Fitch covering pedalling, voicing, balance, and preparing repertoire under pressure, with examples from Mendelssohn, Scarlatti and Ravel.
Piano Day Practice Clinic with Graham Fitch covering pedalling, voicing, balance, and preparing repertoire under pressure, with examples from Mendelssohn, Scarlatti and Ravel.
In this practice clinic edition, Graham Fitch clinic tackles tricky tremolos and double notes, achieving legato and memorisation in works by composers including Mel Bonis, Brahms and Coleridge-Taylor.
Graham Fitch and Philip Fowke share reflections, stories and philosophies on the art of piano playing and teaching.
Our latest Practice Clinic recording features answers to questions on balancing chords, pedalling, mastering double notes and playing legato in works by Chopin, Schubert, Mendelssohn and Liszt.
Our latest Practice Clinic recording features answers to questions on rhythm, fluency in fast passages, playing legato double notes and pedalling in works by Schubert, Mozart, Liszt & Sciarra.
In this month’s practice clinic, Graham Fitch answers questions on playing softly, practising a Bach Invention, pedalling in a piece by Maikapar and tackling some of the challenges in the 1st movement of Schubert’s monumental last sonata.
In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.
In this month’s practice clinic, Graham Fitch answers two questions on playing chords followed by questions on achieving legato in a Rhapsody by Brahms and a Allemande by Handel
In this month’s practice clinic, Graham Fitch answers questions pedalling, tricky arpeggios, using arm-weight and playing legato in works by Mozart, Schumann, Liszt.
In this month’s Practice Clinic, Graham Fitch answers questions on how to practise specific passages, legato octaves, retaining musicality when playing fast, problems with the 5th finger, polyrhythms and more in works by Bach, Beethoven, Debussy and Mozart.