Schumann, Mozart, Muscle Memory & Double Notes
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
Graham Fitch shares some tips and tools for developing other types of memory alongside muscle memory for greater security and confidence in performance.
I first published this post way back in June, 2013, and it has been buried in the archives ever since. I decided to update it and republish after the subject…
Graham Fitch explains how one of his favourite day-to day-practice tools, the Floating Fermata works.
I had an interesting question from a reader in Australia, so this week I thought I would address the issue of how to learn a programme consisting of multiple pieces.…
Memorising a piece takes plenty of time and energy, and requires a strategy more sophisticated than simply closing the score after several weeks of reading it. Some memory work is…
In an effort to assist students with their learning, I will often ask for the beginning and the end of the piece in a lesson. Or perhaps even work on the…
A late, esteemed colleague who had amazing sight reading skills once told me he never read through more than once a new piece he was about to learn. It was…
I once had to do up someone else's tie and found the only way I could do it was to stand behind and pretend I was putting it on myself.…
Here is the second part of my article MIND OVER MEMORY, published last year in Pianist Magazine. Remember, everyone who has ever played the piano in public has had that horrible…