Pieces to Play – Debussy’s Preludes
Our blog post this week explores Debussy’s evocative Preludes, featuring performances and excerpts of video lessons for a selection from the set.
Our blog post this week explores Debussy’s evocative Preludes, featuring performances and excerpts of video lessons for a selection from the set.
Our bumper Practice Clinic this month features answers to questions on pedalling, playing cantabile, practising chords, arpeggio fingering and pesky polyrhythms in works by Sibelius, Schubert, Mayerl, Piazzzola and Beethoven!
Debussy revolutionised the landscape of piano composition, taking advantage of the capabilities of the instrument in new, creative ways.
In this blog post, we explore a few examples of Debussy’s innovations in works we’ve recently featured in video lessons.
Graham Fitch discusses how to approach playing piano music from the Classical Period, exploring dynamics, pedalling, ornaments & embellishment.
Our latest Practice Clinic recording features answers to questions on balancing chords, pedalling, mastering double notes and playing legato in works by Chopin, Schubert, Mendelssohn and Liszt.
Our latest Practice Clinic recording features answers to questions on rhythm, fluency in fast passages, playing legato double notes and pedalling in works by Schubert, Mozart, Liszt & Sciarra.
Works from the romantic period are some of the most beloved in the piano repertoire. This article explores the main characteristics and considerations for playing works from this period on the piano.
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
Our latest Practice Clinic recording features answers to questions on tackling double notes, pedalling, building muscle memory and tempo in works by Schumann, Mozart and Brahms.
In this month’s practice clinic, Graham Fitch answers questions on playing softly, practising a Bach Invention, pedalling in a piece by Maikapar and tackling some of the challenges in the 1st movement of Schubert’s monumental last sonata.