In this month’s practice clinic, Graham Fitch answers questions on playing softly, practising a Bach Invention, pedalling in a piece by Maikapar and tackling some of the challenges in the 1st movement of Schubert’s monumental last sonata.
In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.
In this month’s practice clinic, Graham Fitch answers questions on answers to questions on co-ordination, building speed, use of expression in early keyboard music and more in preludes by Heller and Alan Bullard, one of Grieg’s most famous Lyric Pieces and Byrd’s Earl of Salisbury.
In this month’s practice clinic, Graham Fitch answers questions on pedalling, arpeggios, use of forearm rotation and more in Debussy’s Clair de Lune, MacDowell’s To a Wild Rose and works by Chopin and Handel.
In this month’s practice clinic, Graham Fitch answers two questions on playing chords followed by questions on achieving legato in a Rhapsody by Brahms and a Allemande by Handel
In this month’s practice clinic, Graham Fitch answers questions on fingering and executing trills, a Beethoven Sonata and creating a singing tone in Calme du soir by Moszkowski.
In this month’s practice clinic, Graham Fitch answers questions on playing fast and evenly, Alberti basses and practice methods for a Sonata and Bagatelle by Beethoven, Chopin’s Berceuse and a Mazurka
In this month’s practice clinic, Graham Fitch answers questions pedalling, tricky arpeggios, using arm-weight and playing legato in works by Mozart, Schumann, Liszt.
In this month’s practice clinic, Graham Fitch answers questions on Debussy’s Clair de Lune and achieving a graceful, light touch in works by Grieg and Chopin.
In this month’s Practice Clinic, Graham Fitch answers questions on problems with rhythm, practising without the pedal, a sonata by Mozart and Debussy’s Arabesque No. 2.
