Albeniz, Tchaikovsky, Beethoven & Schubert
In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.
In this month’s practice clinic, Graham Fitch answers questions on fingering, pedalling, achieving legato, interpretation and imagination in works by Albeniz, Tchaikovsky, Beethoven, Scarlatti and Schubert.
I was working with someone on Schubert’s B flat Impromptu last week, a set of variations on the so-called “Rosamunde” theme. Variation form always poses a tempo challenge to the…
There is a philosophy that says muscular memory is so fickle that it is not to be trusted for memorised performances at all - know the music deeply enough on the mental…