Beethoven, MacDowell & Mozart
In this practice clinic Graham Fitch answers questions on edition discrepancies, coordinating chords, building speed and achieving the correct rhythmic feel in works by Beethoven, MacDowell and Mozart.
In this practice clinic Graham Fitch answers questions on edition discrepancies, coordinating chords, building speed and achieving the correct rhythmic feel in works by Beethoven, MacDowell and Mozart.
In this practice clinic Graham Fitch answers questions on polyrhythms, trills, avoiding tension and other topics in two Chopin Nocturnes, Burgmüller’s Tarantella and an arrangement of Grieg’s In the Hall of the Mountain King.
This weeks’ guest blog post by Penelope Roskell looks at the importance of a healthy technique and how to go about acquiring it. *** *** *** Should we suffer for…
Q. You speak about forearm rotation in your eBook and in your YouTube video on scales and arpeggios, but I think of rotation as a large movement for things like…
I have written extensively about the subject of slow practice on this blog and elsewhere. Since slow practice is such a cornerstone of our practice routine I don't apologise for making a…
When we think of tension in piano playing, we correctly label this as negative - it is a thing that hampers us and our objective should be to locate its…
In life, we repeat certain ways of doing things until they become habits - until we become unconscious of them and do them without thinking (and without the need to…
Yes, I know I was going to talk about forearm rotation this week, but inspiration took me elsewhere. I'll get to that soon, I promise! This post deals with how…
There are many reasons for tension at the keyboard. Faulty training is an obvious one, inefficient use of the body another. Yet tension does not always have its origins in…
Annoyingly, last week's post on eliminating tension (which was to be the first of two or three on the subject) has itself been eliminated. It disappeared into the ether when…