Playing Piano Music from the Romantic Period
Works from the romantic period are some of the most beloved in the piano repertoire. This article explores the main characteristics and considerations for playing works from this period on the piano.
Bach, Trills & Creating a Singing Tone
In this month’s practice clinic, Graham Fitch answers questions on fingering and executing trills, a Beethoven Sonata and creating a singing tone in Calme du soir by Moszkowski.
Creating a Beautiful Piano Sound
In this week’s blog post, Graham Fitch explores some of the secrets behind a beautiful piano sound and shares tips for voicing and creating a signing tone.
Controlling Tone
A treatise on piano tone exploring various approaches to controlling and creating the desired tone at the piano.
The Fantasie-Impromptu: Some Ideas (Part One)
I have had several requests to talk about the Fantasie-Impromptu of Chopin. It's one of those evergreen pieces that everyone wants to play! There is so much to say on…
The Baroque Urtext Score – Articulation (3)
Articulation in music is understood to mean the way notes are connected or grouped - this involves accentuation and, to some extent, rhythmic inflection. While François Couperin was an obsessive control…
The Baroque Urtext Score – Dynamics (2)
I would like to suggest some guidelines for using dynamics in the music of Bach (and others) at the piano. The only absolute rule, in my book, is to play expressively!…
Practising Softly
One of the most skillful and useful ways to practise is softly, especially loud passages. Let me start with an anecdote. In the early 80s I had the great good…
Some Thoughts On Legato
We have all played the game of Stone, Paper, Scissors. On a count of three, each player forms the hand into one of three gestures which they throw at each…