This past Saturday, I embarked on a brand new venture – an interactive workshop on The Practice Tools, using technology to maximum advantage.

Sponsored by Casio Music UK, we hired a large conference room at the Victoria Park Plaza Hotel in London, which was set up with 15 Casio CDP-S100 digital pianos – and a Grand Hybrid GP-500 on the stage. Delegates were easily able to get to this central location and arrived not only from the UK but also from Europe to take part in the day.

We met at 9:30 for welcome tea and coffee and started with an introduction to Casio’s range of pianos by Chris Stanbury, and then moved on to our introductory session – a demonstration of how to use The Feedback Loop as the basis for all we do in piano practice. 

There followed four sessions, aimed at the intermediate to advanced player as well as piano teachers. Each 60-minute session was divided up into three segments – a presentation from me on a particular topic, a breakout session where each delegate was able to plug their headphones (provided by Casio) into their own piano and try out the practice techniques I had just demonstrated, then a Q&A session where people could ask questions or give feedback. I provided practice worksheets for each topic, but the practice during the breakout session was not restricted to the repertoire extracts I had suggested – people brought their own music and practised what they wanted.

There were many benefits to this format. 

  • People got to try out very specific practice tools immediately after an explanation and demonstration, so that they could experiment with them while they were still fresh in the memory
  • Questions and further explanation or demonstration could be offered immediately, so there was no confusion
  • Nobody needed to play in front of the group unless they chose to, so there was no performance anxiety or nerves whatever associated with the workshop

The first session was all about slow practice, how to use ultra-slow practice speeds to hear and feel every single atom and molecule of the phrase so that nothing slips by our radar. Practising slowly is really quite challenging, and the mind and ear need to be fully engaged to derive the benefit. The second session was all about various ways to bring a piece up to speed (when not to use slow practice) with a special focus on up-to-speed chaining (using The Feedback Loop to correct errors and to refine and finesse). I had the feeling this was an especially important session for those who had struggled with fluency and coordination when playing at fast tempos.

After an elegant lunch, when we were able to chat and socialise a bit, we had a session on controlled stops – how to use the Floating Fermata in our practice to plan ahead and digest the music in our heads before laying our hands on the keyboard. 

The final session was all about managing repetition in practice. I demonstrated many different ideas to the group who seemed very keen to try some of these out in the breakout session.

After tea, we ended with a 60-minute wrap-up where we gathered around a piano and had a mini-masterclass on aspects of practice as well as technique. By that time, everyone seemed well and truly nourished and probably slept very well that night!

We are planning more workshops along these lines, not only in London but also in other main UK cities. If you would like to hear about this, make sure you are on my mailing list and you will receive notification well in advance of general publicity.

Some of the practice techniques we covered in the workshop can be found in the free Grand Hybrid taster e-book.

For news of more workshops, offers and resources it’s worth joining Casio’s Piano Teacher Network.

***   ***   ***

If you enjoyed this article then please click here if you’d like to sign-up to our mailing list to receive future articles, content updates and special offers. You may also be interested in the following resources:

Practising the Piano eBook Series 

There are surprisingly few books that deal with the art of practising. This multimedia eBook series contains hundreds of videos, audio clips, music examples and downloadable worksheets to show you exactly what need to do in order to get the most out of your practice time. Click here for more information.

Practising the Piano Online Academy

Building on my blog posts and eBook series, the Online Academy takes my work to the next level with a comprehensive library of lessons, masterclasses and resources combined with insights from other leading experts. Aimed at piano teachers and pianists, it will transform the way you approach playing or teaching the piano!

Please click here to find out more about the Online Academy or on one of the options below to subscribe:

  • Monthly subscription – Subscribe for £7.99 a month to get full, unlimited access to all Online Academy articles and updates (click here to sign-up for this option)
  • Annual subscription – Save over 15% on the monthly subscription with an annual subscription which gives you access to all articles and updates for £79.99 per year (click here to sign-up for this option)
  • Premium subscription – Purchase an annual subscription for  £79.99 per year and get an eBook bundle including the complete Practising the Piano Multimedia eBook series and Annotated Study Edition bundle (combined value of £56.00) for an additional once off payment of £20 (click here to sign-up for this option)