Claudio Arrau (February 6, 1903 – June 9, 1991) is a very important figure in my musical upbringing. As an undergraduate piano student in London during the late 70’s – and a postgraduate one in New York in the early 80’s – I heard Arrau many times in the core solo and concerto repertoire in the major concert halls of both cities. It seemed he was ever-present not just in these musical centres, but all over the world.
Arrau was a revered authority, someone whose benchmark performances I grew up with. There were many occasions when I heard a major work for the first time in his hands. I have strong and treasured memories of leaving the hall in awe of the music, and the sheer stature of this artist. Arrau was a pianist’s pianist – there were no frills, no gimmicks, and no theatrics at all. What you got was the music itself, consummately and unaffectedly presented, with the greatest honesty and integrity – the result of a probing intellect and total devotion to his art.
The last time I heard Arrau was in New York’s Carnegie Hall on Thursday, 16th February, 1984. I will never forget that occasion, because he was visibly sick and should probably have cancelled. In the Brahms op. 5 Sonata, he was hunched over the keyboard coughing throughout his performance. Yet you would not know from listening to the playing itself that anything was wrong. I found the programme thanks to a wonderful tribute website, arrauhouse.org – a mine of information.
Here is what he played:
Beethoven: Sonata No.7 in D major, Op.10 No. 3
Schubert: Klavierstück No.1 in E-flat minor D.946
Chopin: Ballade No.3 in A-flat major, Op.47
Liszt: Sonnetto del Petrarca No. 104
Debussy: L’isle joyeuse
Intermission
Brahms Sonata No.3 in F minor, Op.5
To see the chronology of Arrau’s concert schedule throughout his life, click here
There are many recordings of Arrau on YouTube. Here is a sterling performance of the Emperor given when the artist was clearly an old man, conducted by Sir Colin Davis (and not Erich Leinsdorf as it says in the description).
For a complete discography, click here
Rather than post more of Arrau’s performances in this short tribute (they are very easy to find on YouTube), here he is in discussion with some interviewers of note. All of these contain clips of his playing anyway.
Art of Piano
Desert Island Discs
Claudio Arrau interviewed by Roy Plomley (1914-1985) in the BBC series Desert Island Discs. Unfortunately, Arrau’s musical choices could not be included due to copyright reasons, but it is very interesting to discover the music he treasured.
David Dubal’s Conversations with Arrau
Here is a series of six radio programmes hosted by David Dubal on WNCN-FM Radio, New York.
1. Beethoven.
2. Schumann
3. Chopin
4. Liszt
5. Brahms
6. Albéniz, Debussy, and Schubert
Other Resources
Piano Lessons with Claudio Arrau: A Guide to His Philosophy and Techniques by Victoria A. von Arx (click here)
Victoria A. von Arx’s book is a fascinating read for pianofiles. There are transcriptions of taped lessons Arrau gave, with detailed technical and musical instruction.
Conversations With Arrau by Joseph Horowitz (click here)
This has been on my bookshelf for many years, and it is heavily underlined and dog eared.
Claudio Arrau’s obituary (click here)
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What a great day to remember “the master”. i’m just getting familiarized with your work and your videos and they are for sure a huge discovery for myself.
I studied piano with many many teachers but the only one who really really was a great one was Pilar Leyva, a former pupil of Arrau for at least 14 years.
Now, when i´m going back to the piano and investigating a lot to get ready to help my little daughter on the way of a successful pianistic education. and i just want to say that all your work is a huge help to keep things going up and in perfect order.
excuse me for my weak command of the language.
Hello Sergio! Fascinating to hear of your direct link with Arrau. I am so glad my contributions here and on YouTube have been of some help, this is my aim! Thank you so much for your comment.
Hello Graham
I’m a fairly new subscriber to Online Piano and was so pleased to read your tribute to Claudio. He has been my piano “hero” since my teens when I won a Beethoven Sonata class in my local music festival (I played Opus 31/2) and purchased with my prize of £5 (a lot of money then!) his Philips sixties recording of Opus 110 and 111. The LP cover fascinated me with Arrau’s relaxed hands almost plunging into the keys. And his playing of the Arietta was simply sublime, light years away from any other performance I had heard. You could tell that here was a pianist (no, musician) who went further than just playing the notes: he had really thought about the music and the vision of the composer.
That started off my devotion to Arrau and although I was only able to hear him live on a few occasions, those performances remain in my memory. As you say, there were no mannerisms or playing to the audience (unlike many pianists today). The music was all important.
Thanks so much for your comments, Derek. I heard Arrau many times in recital and it was always peerless playing. His sound was amazing, always so full and warm. I discovered his Beethoven Sonata editions only fairly recently (Peters), really interesting for his fingerings.
A lot of people worship rubinstein and horowitz because they are easy listening. Arrau is very hard to digest, because he never highlited the melodic line. He treat both hand equal. People listen to music concentrate on the right hand. Left hand is not accompaniment for the right hand