• Store
  • Sign-up
  • Sign-in
Menu
Practising the Piano
  • Home
  • Resources
    • Multimedia eBook Series
    • Online Academy
    • Video Lessons
    • Annotated Study Editions
    • Repertoire Resources
    • Piano Technique Resources
    • Amateur Piano Groups & Clubs
  • Events
    • Calendar
    • Online Events
    • In-person Events
    • Practice Clinics
    • Online Performance Workshops
  • Blog
      • Practising
      • Learning Pieces
      • Technique
      • Performing
      • Teaching
      • Archive
  • About Us
    • Help & Support
    • Contact us
HomeLearning PiecesUnlocking Musical Understanding

Unlocking Musical Understanding

By Informance, 2025-04-17 Posted in: Learning Pieces

With the incredible range of challenging repertoire available to us as pianists, it is understandable that we tend to focus intensely on learning notes and developing technical skills. Unfortunately, this often means that other essential aspects of musicianship such as ear training, theory and analysis are neglected.

A Dry, Abstract Study

Music theory is often taught in isolation from real musical experience. Traditional theory instruction generally relies on written exercises and analysis which can feel dry and disconnected from actual music-making.

As a result, pianists may develop strong technical skills without truly understanding how music is structured. This can ultimately become an impediment to progress, especially when learning more advanced repertoire.

A Practical Solution

Keyboard harmony is an ideal means of developing essential, but often overlooked skills by integrating them directly into piano practice. By playing harmonic progressions, chords and voice leading directly at the keyboard, it makes theory an active, hands-on experience rather than an abstract academic exercise.

Rooted in historical traditions such as figured bass and partimento, keyboard harmony was once considered an essential part of a musician’s education. Baroque and Classical composers and performers developed their harmonic intuition at the keyboard, using techniques that are still valuable today. Sadly, music theory became less connected to practical application and this invaluable tool began to fade from standard training.

Why Study Keyboard Harmony?

By integrating several aspects of musicianship in a single activity, the study of keyboard harmony offers pianists the following benefits:

  • Learn pieces faster – Having a better understanding of what’s happening in the music you’re playing and being able to recognise patterns speeds up the learning process.
  • Memorise more effectively – Understanding harmonic structures makes it much easier to memorise and means that you’re not entirely reliant on muscle memory when performing.
  • Practise more creatively – Devising creative ways to learn music through reductions can turbo charge the learning process and opens up expressive possibilities.
  • Improved sight reading – Recognising common harmonic progressions is a highly effective way to simplify a score for more successful playing at sight.
  • Train your ear – Playing harmonies rather than just analysing them on paper develops an intuitive sense of sound and harmonic function, giving you the ability to hear music inwardly.
  • Interpret more expressively – Understanding voice leading and harmonic tension allows for more informed and expressive interpretive choices.
  • Develop other skills – Being comfortable with harmonic progressions at the keyboard makes it easier to transpose pieces, experiment creatively and even improvise!

Getting Started

Pianists looking to develop their keyboard harmony skills can begin with a few simple exercises:

  1. Play Cadences in All Keys – Start with basic cadences (I-IV-V-I) and gradually explore more complex progressions.
  2. Harmonize a Simple Melody – Take a familiar tune and add harmonies using common chord progressions.
  3. Reduce a Score to Chordal Blocks – Identify the harmonic framework of a piece by simplifying it into chord shapes before adding details.

The Circle of Fifths is also an excellent tool for embarking upon developing keyboard harmony skills. Main chords in different keys and then playing and transposing common progressions  such as ii-V-I or I-IV-V-I in different key centers around the circle… help you gain fluency in keys, recognise patterns, better understanding of harmony / theory etc.?

For a hands-on introduction to keyboard harmony, join Lona Kozik’s interactive workshop on Thursday 24th April. Lona will guide you through using using the Circle of Fifths to deepen your understanding of music and strengthen your musicianship in a natural and engaging way. Click here to find out more!

Other Resources

  • Learning Notes of Learning Music
  • Creative Practising Using Keyboard Harmony
  • Why Study Music Theory
  • Building Your Music Theory Knowledge
  • Harmony, History & Style

Introduction to Keyboard Harmony

Do you wish you could learn new pieces faster and understand music more deeply? Do you find traditional music theory abstract or disconnected from real playing?

Join Lona Kozik on Thursday, 24th April at 18:30 BST (GMT +1) for a practical, hands-on introduction to keyboard harmony. Instead of studying theory away from the keyboard, you’ll learn about harmony and develop a more intuitive understanding of music – all through exercises using the circle of fifths.

This workshop will help you:

  • Build stronger harmony skills at the keyboard
  • Understand music theory in a practical way
  • Improve your ability to learn and memorise pieces
  • Train your ear and deepen your musicianship

Don’t miss this opportunity to enhance your understanding of harmony and musical structure in a natural and engaging way – click here to sign-up!

Tags: harmonykeyboard harmonymemorisationtheory

Related Posts

Feeling Comfortable in All Keys

Feeling Comfortable in All Keys

By Graham Fitch, 2018-05-29
Posted in: Technique

Do you feel comfortable playing in all keys? Are you able to transpose technical exercises without notation? The ability to play by ear in every key is an important musicianly skill, one that cannot be developed soon enough. When we transpose technical exercises not only do we develop our aural…

Read More

Tags: exercisesHanon The Virtuoso Pianistmemorisationtechnique
Feeling Comfortable in All Keys
Don’t Try This at Home! – Mechanical Aids to Practice

Don’t Try This at Home! – Mechanical Aids to Practice

By Graham Fitch, 2013-12-20
Posted in: Practising

If you were a student at the Stuttgart Conservatory in the mid 1800‘s during the reign of Sigismund Lebert and Ludwig Stark, you would have had to practise a strict regime of finger exercises, preferably with the aid of a hand rail (a device attached to the piano enabling the…

Read More

Tags: Dactylionfinger schoolhammer touchhammer-fingerHenri HerzhistoryJura MargulisKalkbrennerLebertLebert and StarkLogier's Chiroplastmechanical aidsNatalia Strelchenkorotary movementStarkStuttgart Conservatorytechniquetheory
Don’t Try This at Home! – Mechanical Aids to Practice
Preparing the Canvas

Preparing the Canvas

By Graham Fitch, 2011-06-26
Posted in: Teaching

With the advent of the summer holidays, a lot of piano students will be learning new pieces. On the proceeds of lessons, we piano teachers will be sunning ourselves in the Algarve and our students beavering away with little or no supervision until September. Do we simply chuck a couple…

Read More

Tags: learningmemoryMozartpracticing the pianopractising the pianoteachingtheoryvisualisation
Preparing the Canvas
Bach Isn’t Boring!

Bach Isn’t Boring!

By Informance, 2024-05-23
Posted in: Learning Pieces

This week’s blog post features an interview with pianist & teacher Beate Toyka discussing her approach to practising and learning pieces, with specific reference to her “Step into the 48” project on the Online Academy!

Read More

Tags: baroquebeate toykacontrapuntalinterviewjs bachpractisingpreludeprelude and fugueThe Well-Tempered Clavier
Bach Isn’t Boring!
Bach, Trills & Creating a Singing Tone

Bach, Trills & Creating a Singing Tone

By Informance, 2023-03-16
Posted in: Learning Pieces, Practising

In this month’s practice clinic, Graham Fitch answers questions on fingering and executing trills, a Beethoven Sonata and creating a singing tone in Calme du soir by Moszkowski.

Read More

Tags: bachbeethovenfingeringMoszkowskiornamentspractice clinicsinfoniassinging tonetone
Bach, Trills & Creating a Singing Tone
Beethoven Piano Sonata in C Major (Op. 3 No. 2)

Beethoven Piano Sonata in C Major (Op. 3 No. 2)

By Informance, 2021-12-09
Posted in: Learning Pieces

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s third piano sonata in C major, Op. 2 No. 3.

Read More

Tags: beethovenbeethoven on board
Beethoven Piano Sonata in C Major (Op. 3 No. 2)

Previous Post

The Practice Sleuths Episode #3

Next Post

The 2025 & 2026 ABRSM Syllabus (Part 3)

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

*

*

Sign-up To Our Mailing List!

Sign-up to our email newsletter for free resources, news updates and special offers!

TOPICS

  • Practising
  • Learning Pieces
  • Technique
  • Performing
  • Teaching

LINKS

  • Online Academy
  • Informance
  • Help & Support
  • Contact Us

© 2026 Practising the Piano All Rights Reserved

  • Twitter
  • Facebook
  • YouTube
  • LinkedIn
  • Privacy Policy
  • T&Cs